“I am in the pigeon-hole marked ‘no threat,’ ” Bennett writes of his reputation for niceness. “And did I stab Judi Dench...
The third installment of diaries from the celebrated dramatist and author.
For a butcher’s son from Leeds, Bennett (Smut: Two Unseemly Stories, 2011, etc.) has done exceedingly well for himself. From his early days as a member of Beyond the Fringe—he modestly calls himself “a less talented performer” than Peter Cook, Dudley Moore, or Jonathan Miller—he has since become the author of such celebrated plays as The Madness of George III and The History Boys. To many readers, he may be just as famous for his diaries, which have appeared annually in the London Review of Books for 30 years. Like its predecessors, Writing Home (1995) and Untold Stories (2006), this book contains a decade of his diary entries. Fans will recognize Bennett in these pages: riding his bike, buying antiques, visiting medieval churches, and, as always, enjoying his lovingly described sandwiches. Part of the charm of these entries is the mix of the mundane and the glamorous. In a senior moment, he can’t find a favorite sweater, and his partner has to tell him he’s wearing it. Next, he’s meeting the likes of Judi Dench, Tom Stoppard, Elizabeth Taylor (who sat on his knee at a party, although he doesn’t remember why), and John F. Kennedy. The second half of the book includes introductions to his later plays, speeches, and two unproduced scripts, but the highlights are the diaries. Bennett makes just about everything sound poetic, as when he writes that a routine colonoscopy reveals “a little fairy ring of polyps, innocent enough but ruthlessly lassoed and garrotted by the radiographer.” And who wouldn’t smile upon reading that, at the post office, an elderly customer recognized Bennett and commanded, “Say something whimsical”?
“I am in the pigeon-hole marked ‘no threat,’ ” Bennett writes of his reputation for niceness. “And did I stab Judi Dench with a pitchfork I should still be a teddy bear.” That may be debatable, but the good-naturedness in these engaging pages is proof of his current standing.Pub Date: Nov. 7, 2017
ISBN: 978-0-374-18105-5
Page Count: 736
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 19, 2017
Kirkus Reviews Issue: Sept. 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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