“I am in the pigeon-hole marked ‘no threat,’ ” Bennett writes of his reputation for niceness. “And did I stab Judi Dench...
The third installment of diaries from the celebrated dramatist and author.
For a butcher’s son from Leeds, Bennett (Smut: Two Unseemly Stories, 2011, etc.) has done exceedingly well for himself. From his early days as a member of Beyond the Fringe—he modestly calls himself “a less talented performer” than Peter Cook, Dudley Moore, or Jonathan Miller—he has since become the author of such celebrated plays as The Madness of George III and The History Boys. To many readers, he may be just as famous for his diaries, which have appeared annually in the London Review of Books for 30 years. Like its predecessors, Writing Home (1995) and Untold Stories (2006), this book contains a decade of his diary entries. Fans will recognize Bennett in these pages: riding his bike, buying antiques, visiting medieval churches, and, as always, enjoying his lovingly described sandwiches. Part of the charm of these entries is the mix of the mundane and the glamorous. In a senior moment, he can’t find a favorite sweater, and his partner has to tell him he’s wearing it. Next, he’s meeting the likes of Judi Dench, Tom Stoppard, Elizabeth Taylor (who sat on his knee at a party, although he doesn’t remember why), and John F. Kennedy. The second half of the book includes introductions to his later plays, speeches, and two unproduced scripts, but the highlights are the diaries. Bennett makes just about everything sound poetic, as when he writes that a routine colonoscopy reveals “a little fairy ring of polyps, innocent enough but ruthlessly lassoed and garrotted by the radiographer.” And who wouldn’t smile upon reading that, at the post office, an elderly customer recognized Bennett and commanded, “Say something whimsical”?
“I am in the pigeon-hole marked ‘no threat,’ ” Bennett writes of his reputation for niceness. “And did I stab Judi Dench with a pitchfork I should still be a teddy bear.” That may be debatable, but the good-naturedness in these engaging pages is proof of his current standing.Pub Date: Nov. 7, 2017
ISBN: 978-0-374-18105-5
Page Count: 736
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 19, 2017
Kirkus Reviews Issue: Sept. 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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