by Alan Bradley ‧ RELEASE DATE: Nov. 1, 2011
The plot’s murderous aspects are on the skimpy side. But who can complain when that serial charmer Flavia (A Red Herring...
Flavia, the cheeky 11-year-old who knows her way around a sulfurous beaker, is at it again.
Determined to prove that there is a Santa Claus, Flavia de Luce retreats to her laboratory in the upper reaches of Buckshaw, the family estate, to concoct a glue that will cement him to the flue should he try to descend on Christmas Eve. While it’s steeping, she and her tormentors, her older sisters Feely and Daffy, hear from their father, the Colonel, that financial distress has caused him to rent out Buckshaw to Ilium Films. The company will have free run of the place except for the Colonel’s study and his deceased wife Harriet’s boudoir. Learning that the fabulous actress Phyllis Wyvern will be in residence, the vicar of Bishop’s Lacey pops around to ask if she’ll star in a fundraiser for the church. She coaxes her co-star to join her in a scene from Romeo and Juliet to be staged in Buckshaw’s foyer. The performance has just finished when a snowstorm strands the villagers at the estate, with no heat, no electricity and no immediate possibility of police intervention. As one might expect, Flavia can deal with it all, even when she finds poor Phyllis dead in the middle of the night, a strip of celluloid tightly wound around her neck. Many of her showbiz colleagues had reason not to like her, from her director to her dresser to her driver. But whodunit? Inspector Hewitt will eventually get through the snow to start his inquiries, but meanwhile Flavia will piece together clues that will lead to the sticky ending she’d planned for Santa.
The plot’s murderous aspects are on the skimpy side. But who can complain when that serial charmer Flavia (A Red Herring Without Mustard, 2011, etc.) is on hand, wreathed in Tennyson and Shakespeare?Pub Date: Nov. 1, 2011
ISBN: 978-0-385-34401-2
Page Count: 320
Publisher: Delacorte
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Nora Roberts ‧ RELEASE DATE: Sept. 1, 2003
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...
Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.
Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.Pub Date: Sept. 1, 2003
ISBN: 0-399-15106-0
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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