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UNCOMMON SENSE

THE HERETICAL NATURE OF SCIENCE

Cromer (Physics/Northeastern) advances several agendas in this provocative, polemical work. For starters, he asserts that science isn't an inevitable development in advanced cultures. Rather, he sees most people at most times stuck in the egocentric/magical world that Piaget described as central to the early developmental stages of childhood. Had it not been for the Greeks—with their democratic penchant for dialogue and debate—and the brilliance of Euclid, Archimedes, et al. (but not Aristotle), we might still be animists or dependent on religious prophets for our cosmology and cosmogony. The author contends that it was the rebirth of Greek science in the Renaissance, combined with the age of exploration and the invention of movable type, that created today's world dominated by science and technology. We've arrived at a stage where we can talk about the completeness of science and, based on probabilities and calculations, Cromer concludes that there's no point in seeking extraterrestrial intelligence or dreaming of intergalactic travel. Moreover, if we're to improve the world, we'd better do something about our schools: Instead of making them substitutes for home, as well as vehicles for social policies, we need to incorporate dynamic hands-on science programs, pouring our resources into the eighth and ninth grades and eliminating the last two years of high school. Wow. Clearly he who credits the Greeks for the spirit of debate will himself invite debate. What of the history of technology...mathematics...inductive proofs...the (Indian) invention of zero? As for the completeness of science, that's what they said in 1900...and said again in the early days of the genetic code. Overall, then, a generous helping of hubris here—but not without redeeming insights on good and bad science, as well as examples of Cromer's own work in reforming middle-school science curricula. (Nineteen line drawings)

Pub Date: Sept. 1, 1993

ISBN: 0-19-508213-3

Page Count: 240

Publisher: Oxford Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1993

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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