One of Britain's finest novelists for young people (The Owl Service, 1967), who's long been interested in folklore (A Bag of Moonshine, 1986), creates three nursery tales distinguished by a folkloric lilt and his own fresh imagery. In the cumulative "The Fox, the Hare, and the Cock," Fox moves into Hare's hut of bark when his own ice hut melts, and is finally driven out by clever Cock after larger, stronger animals have failed. "The Girl and the Geese" concerns a child who saves her little brother from geese who've carried him off, but only after she tastes a "sharp apple," "sour milk," and "sad pies" offered by prospective helpers (a tree, a brook). And the dreamlike adventure of "Battibeth" begins with an errand to her grandmother to trade an egg for a knife; along the way, she loses the egg but finds a needle, which is transformed into a steeple that she climbs for an empowering view (and there's still more in this imaginative, powerfully symbolic sequence). Compact and intriguingly mysterious; handsomely illustrated with precisely detailed images, deployed effectively against dramatic white. (Picture book. 4-8)
Pub Date: Nov. 1, 1993
ISBN: 1-56458-381-3
Page Count: 32
Publisher: DK Publishing
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 1993
In the siblings' latest adventure, their grandmother is having a birthday (again! see Bunny Cakes, p. 67), so Ruby takes Max shopping. A music box with skating ballerinas is Ruby's idea of the perfect present; Max favors a set of plastic vampire teeth. Ruby's $15 goes fast, and somehow, most of it is spent on Max. The music box of Ruby's dreams costs $100, so she settles for musical earrings instead. There isn't even a dollar left for the bus, so Max digs out his lucky quarter and phones Grandma, who drives them home—happily wearing her new earrings and vampire teeth. As ever, Wells's sympathies are with the underdog: Max, in one-word sentences, out-maneuvers his officious sister once again. Most six- year-olds will be able to do the mental subtraction necessary to keep track of Ruby's money, and Wells helps by illustrating the wallet and its dwindling contents at the bottom of each page where a transaction occurs. Younger children may need to follow the author's suggestion and have an adult photocopy the ``bunny money'' on the endpapers, so they can count it out. Either way, the book is a great adjunct to primary-grade math lessons. (Picture book. 4-7)
Pub Date: Sept. 1, 1997
ISBN: 0-8037-2146-3
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
A disappointing exploration of career options from an entertainer who should know better. Maybe it has something to do with the decision to take the "Weird" out of his authorial name, but musical satirist Yankovic doesn't deliver the kind of precise zaniness adults of a certain generation will expect. Little Billy may be small in stature, but he doesn't limit his thinking when it comes to what he'll be when he grows up. As soon as Mrs. Krupp gives him the floor at show-and-tell, he grabs it and doesn't let go, reeling out a dizzying series of potential careers. Beginning with 12 rhyming couplets on what kind of a chef he might be, he follows up with snail trainer, machinist, giraffe milker, artist and on and on. At its best, the verse approaches Seussian: "maybe I'll be the lathe operator / Who makes the hydraulic torque wrench calibrator / Which fine-tunes the wrench that's specifically made / To retighten the nuts in the lateral blade." But the pacing never allows readers to stop and chuckle at the foolishness, and it doesn't leave enough room for Hargis' light, humorous cartoons to expand and ramp up the goof factor. In children's books, as in satire, less is more—here's hoping Weird Al's next effort is both tighter and funnier. (Picture book. 5-8)
Pub Date: Feb. 1, 2011
ISBN: 978-0-06-192691-4
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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