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THEY SAW TOO MUCH

A fast and furious thriller for readers looking for a quick, engaging mystery.

Two English teens undoubtedly see too much when they witness a murder and become the targets of ruthless hit men.

Classmates John and Ceri are on Liverpool’s Mersey shore, home to sculptor Antony Gormley’s eerie Another Place installation, working on a school photography project, when they see three men behaving strangely. Acting on instinct, John takes their picture. Soon, John and Ceri are running for their lives, but whom can they trust when the bad guys have an apparently preternatural ability to locate them just when they think they’re safe? How are the dead man and the killers linked to John’s father and his past? What is John hiding from Ceri—and readers? Ceri isn’t exactly an open book herself. What prior trauma causes her to lash out for no reason John can see? The questions and tension mount, leading to an exciting denouement. John narrates beginning a year after the events with an “if I knew then what I know now” attitude, keeping readers glued to the page. Retention of British spellings and idioms and detailed descriptions of real locales lend authenticity to the setting. The narrative is linear and easy to follow. John and the murder victim are black, and Ceri is white. Assume whiteness for everyone else.

A fast and furious thriller for readers looking for a quick, engaging mystery. (Fiction. 12-17)

Pub Date: March 19, 2019

ISBN: 978-1-78062-248-4

Page Count: 240

Publisher: Orion/Trafalgar

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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THE LAKE

An eerie thriller reminiscent of summer horror movies that will keep readers on edge.

Two teens with a dark secret return to their old summer camp.

Childhood friends Esme and Kayla can’t wait to return to Camp Pine Lake as counselors-in-training, ready to try everything they couldn’t do when they were younger: find cute boys, stay up late, and sneak out after hours. Even Andy, their straight-laced supervisor, can’t dampen their excitement, especially after they meet the crushworthy Olly and Jake. An intuitive 17-year-old, Esme is ready to jump in and teach her cute little campers. But when a threatening message appears, Esme and Kayla realize the secret they’ve kept hidden for nearly a decade is no longer safe. Paranoia and fear soon cause Esme and Kayla to revisit their ominous secret and realize that nobody in the camp can be trusted. The slow buildup of suspense and the use of classic horror elements contrast with lighthearted camp activities, bonding with new friends, and budding romance. Similarly, Esme’s first-person point of view allows for increased tension and action as well as offering insight into her emotional and mental well-being. Discussions of adulthood, trauma, and recovery are subtle and realistic, but acts of sexism and machismo aren’t fully analyzed. While the strong buildup of action comes late, it leads to a shockingly satisfying finale. Major characters are White.

An eerie thriller reminiscent of summer horror movies that will keep readers on edge. (Thriller. 12-16)

Pub Date: March 2, 2021

ISBN: 978-0-593-12497-0

Page Count: 384

Publisher: Delacorte

Review Posted Online: Dec. 9, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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