by Alan Glynn ‧ RELEASE DATE: Jan. 1, 2001
Undeniably clever, and hip enough to garner a cult following, but not much is left once the bells and whistles are stripped...
A high-finance thriller about a wonder street-drug that turns people into supercomputers, this debut from Dublin-based Glynn glitters with a carnival of effects but lacks thrust enough to stay in orbit.
The drug, MDT, alters brain chemistry to produce unique focus and drive, while substituting itself for food and sleep. It enters hack writer Eddie Spinola’s life through an encounter in New York with his ex-brother-in-law, who after listening to Eddie ramble about his inability to proceed on a book he’s writing, leaves him with a pill that will change his life. After Eddie experiences MDT, he visits his in-law for more, only to find the guy dead. But Eddie discovers the dealer’s stash and squirrels it away for his own use. From eradicating his slovenly ways to finishing his book in record time to becoming a celebrity of the late-night bar-hop circuit, Eddie is on the rise, fueled by increasing doses. At some point a desire to make a killing in the stock market takes hold of him, and his start as a day-trader meets with meteoric success, bringing him to the attention of one of Wall Street’s biggest players. Success has a price, however: Eddie begins to experience blackouts, one of which leaves him walking down a hotel corridor with bruises all over his body and no memory of what has happened. The next day’s news fills him in: the wife of a famous Mexican painter has been beaten savagely and is near death. Eddie goes off MDT in horror, but his withdrawal symptoms and subsequent failure to impress his patron, who wants him to advise on the biggest merger deal in corporate history, bring him back on board, flying higher than ever. The deal goes through just as Eddie’s past missteps catch up to him—and his fall is no less meteoric than his rise.
Undeniably clever, and hip enough to garner a cult following, but not much is left once the bells and whistles are stripped away.Pub Date: Jan. 1, 2001
ISBN: 1-58234-224-5
Page Count: 342
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
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by Alan Glynn
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by Alan Glynn
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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