Hollinghurst continues to amaze and delight, hitting both the most delicate grace notes and portentous chords perfectly.
The fictional memoir of a gay biracial British actor of rare intelligence and elegance, over a half decade of social change.
Hollinghurst's seventh novel features a narrator who, like his creator, is about 70: David Win—the dark-skinned son of a British woman and a man she met while working as a typist in Burma after World War II—was raised by his mother on her own in provincial England. The story opens with a fairly recent event: the death of Mark Hadlow, a mentor whose family offered a scholarship that allowed David to attend an elite prep school from the age of 13 in the early 1960s. Along with the challenges he faced there due to his race and class, he was often targeted by Hadlow's son Giles, a bully who we know has grown up to be a right-wing member of parliament in the era of Brexit, even now "tearing up our future and our hopes." The first half of the book relies on what Win calls his "famous memory" to unfold the story of his adolescence—one brilliant section is set during a seaside holiday when his head whips back and forth between a good-looking Italian waiter, the men on the beach in their bathing suits, and his dressmaker mother and her customer Mrs. Croft, funder of this vacation, now revealed to be much more than a friend. The expansive architecture of this book fluidly slips you from one phase of David's life to the next, examining the ups and downs of his acting career and his love affairs—and then suddenly there's an ending you will likely find yourself reading several times so you can fully take in its subtlety, power, and emotion.
Hollinghurst continues to amaze and delight, hitting both the most delicate grace notes and portentous chords perfectly.Pub Date: Oct. 8, 2024
ISBN: 9780593243060
Page Count: 496
Publisher: Random House
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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