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THE SPARSHOLT AFFAIR

A novel full of life and perception; you end the book not minding that the actual Sparsholt affair gets just the barest of...

A man’s inability to be honest about his sexuality has scandalous, and brutally public, consequences for several generations.

At the outset of this novel, in 1940, all the gay men and at least one straight woman in a literary club at Oxford are infatuated with beautiful David Sparsholt, a first-year engineering student who initially seems oblivious to the attention. One student, Evert Dax, the son of famous, inexplicably bestselling novelist A.V. Dax, is determined to bed Sparsholt. (Ostensibly straight Freddie Green, whose memoir about his years at Oxford makes up the first section of the novel, claims Sparsholt has a “dull square face.”) Sparsholt’s straight bona fides (he has a girlfriend) soon come into thrilling question. The students watch warily at night for German bombs in the World War II–era opening of the novel, which soon transitions to 1966, when Sparsholt’s 14-year-old son, Johnny, lusts after Bastien, a French exchange student who's living with his family. Johnny is the heart of the story, and in the ensuing sections taking place over many decades he gives Hollinghurst the opportunity to track the vast, transformative changes in gay life since David Sparsholt attended Oxford. Johnny is a fascinating character: a painter who is sensitive, proudly bohemian, sometimes rejected in love, and still eager for love at an advanced age, but always calmly aware of who he is and the dangers of trying to be someone else. It’s a lesson he learned from his father’s arrogant belief that he could skirt the restrictive, heterosexual mores of pre–sexual liberation England. If this plot sounds like it couldn't possibly have been the work of a Man Booker Prize–winning author, part of Hollinghurt’s (The Stranger's Child, 2011, etc.) bold talent in this novel, as in his previous work, is to make it evident that lust, sex, and who does what with whom in the bedroom (and even how) are fitting, and insightful, subjects of literary fiction.

A novel full of life and perception; you end the book not minding that the actual Sparsholt affair gets just the barest of outlines.

Pub Date: March 20, 2018

ISBN: 978-1-101-87456-1

Page Count: 432

Publisher: Knopf

Review Posted Online: Dec. 9, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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