by Alan Reid ‧ RELEASE DATE: June 7, 2011
At times incoherent and simplistic, but extremely entertaining and a complete break from the formulaic crime thriller.
A compelling, rambling novel about a lifelong rivalry between a disciplined teacher and members of a murderous outlaw biker gang who fight battles from the sunny South African coast to the damp tube stations of England.
Reid’s first novel focuses on the life of Spencer, an experienced South African teacher whose life unravels after he’s suddenly fired from a small German-oriented country school. Spencer quickly loses his home and all connections to his wife and son. He finds casual employment as a substitute teacher in England. He begins drinking, playing pool and taking on minimum wage stockroom jobs for extra cash. To his regret, he encounters Hood, a former student who has become a drug runner for the Snake bike gang. Spencer attempts to evade Hood and his manipulative games, but he’s drawn into entanglements with Hood’s boss, the evil and unpredictable Xanthye. Reid’s story is vivid, colorful and imaginative. Reid draws on his personal experiences of teaching in South Africa and England, and he provides unique insight into the lives of bikers and teachers on the South African coast. Yet his story suffers from being overly allegorical and unrealistic. Reid paints Spencer as the voice of reason: a crusader against liberal culture, political correctness and drug use. Spencer is so tied up with his own past that he chooses not to quit teaching or to dismantle Xanthye’s wild gang. Instead, the teacher goes on long tirades to his best friend and escapes into memories of his high school days. Reid’s story is difficult to read since he tells it as an unordered set of memories. One particularly disturbing aspect of the story is the fact that Spencer forms a close, almost sexual bond with Venus, a rambunctious teenager. Venus is the daughter of Vicki, a beautiful, unattainable Afrikaner blonde from Spencer’s youth. Venus and the reader often question whether Spencer is Venus’ biological father.
At times incoherent and simplistic, but extremely entertaining and a complete break from the formulaic crime thriller.Pub Date: June 7, 2011
ISBN: 978-1456774653
Page Count: 276
Publisher: AuthorHouse
Review Posted Online: Nov. 30, 2012
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Dan Brown ‧ RELEASE DATE: Sept. 9, 2025
A standout in the series.
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New York Times Bestseller
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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