by Alan Robert Proctor Bruce Stevens Proctor ‧ RELEASE DATE: Aug. 4, 2015
An inviting exchange of stories and ideas across two continents and half a tumultuous decade.
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A conscientious objector flees enlistment in Vietnam by making a new life in Sweden in this posthumous autobiographical collection.
Bruce Proctor’s memoir, compiled and edited by his younger brother, poet and novelist Alan Robert Proctor (Adirondack Summer, 2013, etc.), revisits the late 1960s: the horrors of total war in Vietnam, the unpredictable tides of the American counterculture, and the feeling of being young in a mad world. “Not fear of death, but fear of not being able to live while taking part in killing” is what drives Bruce to renounce his citizenship and leave the country when the National Guard is called up in 1968. “I was born to be a Swede,” Bruce declares on arrival in the Scandinavian country, and he’s besotted by the ease of life and the clear summer light. But the nights grow long, work is hard to find, and whiskey is too easily available. He works in the warehouse of a chemical plant, then as a lumber hand, then by driving a taxi. He goes back to school to earn a master’s degree but eventually sours on academia. Finally, in 1972, he and his wife decamp for Canada. The letters and journal entries here read as a kind of collage of the period: writers and addressees switch off, stories of sailing and camping sit alongside reflections on the horrors of war, the uselessness of the American opposition, newspaper clippings, photographs, and Alan’s own poems. “He could be humorous, pragmatic, philosophical, obtuse, and mystical all in one paragraph,” the editor writes of his brother, who died in 2011, and all those qualities are evident here. Editor Proctor has obviously put great patience and care into selecting these fragments, and the time was well-spent: readers are never lost, always engaged, and often charmed by the liveliness of Bruce’s prose (and of Alan’s verse scattered throughout the text). “It is not unusual for a Swede not to speak if he has nothing to say and perhaps it is this quality which gives the impression of depth,” Bruce writes at one point. Neither brother holds his tongue in this collection, and readers are richer for it.
An inviting exchange of stories and ideas across two continents and half a tumultuous decade.Pub Date: Aug. 4, 2015
ISBN: 978-1-63-391195-6
Page Count: 254
Publisher: Westphalia Press
Review Posted Online: Oct. 20, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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