Exquisite psychological fiction, resonating with suspense, wit, and perception.
A powerful debut views guilt, love, anger, and lies through the eyes of a talented high-school athlete forced to share a criminal secret with his abusive father.
Neil Garvin is one of those kids who seem to have it all. He's the handsome, popular star quarterback with a strong arm and apparently secure future. But Neil has a dark side. His mother abandoned the family when he was three; his father, Chester, who happens to be the sheriff of Carmen, Nevada (a small town not far from Las Vegas), is a bullying drunk who has filled his son with anger and self-loathing that manifest themselves in similarly brutish behavior toward many of those who cross his path. One evening at a party, a drunken Neil torments a younger classmate. This leads to a crime that, without Neil's knowledge, his father covers up. Suddenly, much to Neil’s chagrin, he and the man he considers an enemy merely coexisting under the same roof are tied inextricably together as criminal accomplices. Neil’s first-person narration enables readers to see directly into the heart and mind of a troubled teenager desperately trying to free himself from familial bonds. Watt is particularly strong on details like Chester Garvin's obsession with the singer Neil Diamond; he also does a nice job limning the relationship between Neil and his best friend and teammate Reed. Watt’s prose skillfully moves from specifics to general truths, as in this description of Vegas casino worker Bernice: “Her hair was colored orange and she wore so much hairspray and makeup that she looked like a wax figure. Sometimes people do things to make themselves look better and then they just keep going and they forget what their original intention was and by the time they're done they don't even look human anymore.” Finally, an unexpected twist at story’s end offers a satisfying wrap-up.
Exquisite psychological fiction, resonating with suspense, wit, and perception.Pub Date: Sept. 1, 2000
ISBN: 0-316-92581-0
Page Count: 256
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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BOOK TO SCREEN
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