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MY RED, WHITE, AND BLUE

An effective, accessible acknowledgment that both the U.S. flag and history are deeply fraught.

An African American child learns about the Black community’s complicated relationship with the U.S. flag.

The nameless young narrator expresses pride in the flag that waves at their home, greeting friends and strangers who pass by. For the child, the flag is part of their diverse community, a message reinforced by their teacher. The narrator’s grandpa agrees but shares that the flag is also a reminder of the nation’s history of injustice. For many, there are still problems that cause some citizens to protest the flag as a symbol of a country that has not lived up to its creed. Grandpa emphasizes that everyone has the right to protest—for instance, by kneeling during the singing of the national anthem—but notes that they can also take pride in the flag, and he reminds the child of contributions of Black Americans like Rosa Parks and Martin Luther King Jr., who helped make this country what it is. Grandpa’s strongest message to his grandchild is that they have a choice in how they use their voice. Tyson uses age-appropriate language and examples to bring clarity to an abstract concept. The warm relationship between Grandpa and the child gives the narrative a reassuring tone. Ladd’s bold, painterly illustrations, crafted with acrylics, textured cut paper, tissue paper, and colored pencil, illuminate and expand the ideas in the text. (This book was digitally reviewed.)

An effective, accessible acknowledgment that both the U.S. flag and history are deeply fraught. (author’s note) (Picture book. 4-8)

Pub Date: Jan. 17, 2023

ISBN: 978-0-593-52570-8

Page Count: 32

Publisher: Philomel

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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