by Alane Gray ‧ RELEASE DATE: Dec. 4, 2018
A compelling and disturbing reminder to heed those inner warning lights.
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A memoir presents an “autopsy” of a marriage that was doomed from the start.
Gray (Madame Blavatsky’s Victorian Nightmares, 2017, etc.) met Darren during orientation at Palmer College of Chiropractic in Iowa. She was from Florida, he from Verona, Pennsylvania, just outside of Pittsburgh. For her, it was indifference at first sight. Not so for him. It took almost four months of persistence for Darren to get the author to start dating him seriously. Three months later, they were engaged. He took her home for Christmas to meet his parents and sister. That would have been a good time for Gray to call it quits. Future mother-in-law Charlene welcomed the news of their engagement with tears and profanities. Future sister-in-law Krystal “stalked around the house like a feral cat.” Misgivings notwithstanding, the couple were married about a year before graduation and returned to Iowa following the wedding. After graduation, they made their first mistake. They came back to the Pittsburgh area and moved in with Darren’s parents. Over the next few months, as they searched for chiropractic jobs, the author channeled her rage at Charlene’s constant snipes and general hostility into a journal. She left that journal behind, tucked in a drawer beneath her underwear, when the couple went to North Carolina to visit Gray’s parents. Charlene found the journal and called Darren in a crazed, vituperative rage. The couple decided to move to North Carolina. In prose overflowing with a healthy dose of sarcastic humor, considerable anger, and an ample supply of recriminations (self- and otherwise), Gray chronicles the 15 mostly dysfunctional years they spent together, from the time they met until they parted. In her engrossing, sharp-edged book, the author—who sometimes overindulges in cathartic expletives—shows that abuse comes in many forms. While Gray details several occurrences of physical violence, she recalls that she held on to the marriage through countless incidents of alcohol-infused verbal aggression. According to the author, Darren’s simpering acquiescence to Charlene—who vociferously ruled her family with a nasty iron fist—was in stark contrast to his demeaning and controlling behavior toward Gray. Readers will find themselves frequently yelling at her, “Get out now!”
A compelling and disturbing reminder to heed those inner warning lights.Pub Date: Dec. 4, 2018
ISBN: 978-1-937258-20-7
Page Count: 370
Publisher: Thinktorium, LLC
Review Posted Online: Feb. 14, 2019
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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