This silly story turns convention on its head, and kids who get the joke will surely giggle.
Hordes of puppies take over the town of Strictville, and no one knows how to react.
Strictville has a very bold motto: “All Work and No Play Makes for a Great Day!” So when a tiny puppy wanders into town, it is seen as a menace. No cuteness or play allowed! But things grow worse when more and more puppies come. The dark-skinned, female mayor with fantastic cat-eye glasses shouts, “We must get rid of these adorable creatures!” The townsfolk try everything: throwing sticks (the puppies just bring them back), chasing them (the puppies love the game), and feeding them (that is when the tail-wagging starts). Ultimately, they decide the safest place is indoors, and everyone runs home. Until the tiniest puppy, with the biggest eyes, catches the attention of a brown-skinned boy named Teddy. The entire multiracial town peers out in horror from their windows while Teddy dares to shake the pup’s tiny, fuzzy paw. It is…delightful! Strictville becomes not so strict after all. Smith’s cartoonish people pair well with the mock mass hysteria of a puppy invasion, her tidy streetscapes teeming with puppies appropriately Twilight Zone–esque. Hints of a new cute creature coming to town just may shake things up again.
This silly story turns convention on its head, and kids who get the joke will surely giggle. (Picture book. 3-8)Pub Date: Oct. 3, 2017
ISBN: 978-0-544-99917-6
Page Count: 40
Publisher: Clarion Books
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sure to be catnip for all cat fans, whether reluctant or enthusiastic.
Is “Not My Cat” the right name for this feline?
Staceypants, a Black artist and gardener who wears colorful trousers, lives in a quiet neighborhood and does not like messes. When a fluffy gray cat appears, Staceypants sets out some tuna. But Staceypants is far too busy for a cat—plus, they scratch the furniture…and use a litter box, YUCK!—so the feline is dubbed “Not My Cat.” The cat might have other ideas, however. She continues to visit, and the two of them do yoga, eat breakfast, take selfies, sunbathe, and nap. Where does Not My Cat go when she’s not with Staceypants? “Maybe, like me, she spends a lot of time alone. Maybe, like me, she is cautious about making friends and keeping them too.” One day, Not My Cat doesn’t show up. One day turns into many. After weeks of worry, Not My Cat returns, and a joyful Staceypants realizes that maybe the cat needs a name change. Inspired by the author’s own experiences (photos of Patton and her cat are appended), this is a sly, sweet tale of friendship. Staceypants’ musings on Not My Cat’s whereabouts hint at yearnings—and fears—of making new connections. The digitally rendered illustrations pop with texture and color; they’re a fine match for the text and make it clear that a real friendship is blossoming.
Sure to be catnip for all cat fans, whether reluctant or enthusiastic. (Picture book. 3-8)Pub Date: April 23, 2024
ISBN: 9781665927963
Page Count: 48
Publisher: Denene Millner Books/Simon & Schuster
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
In a crowded subgenre, this offering is unnecessary.
Anger at a sibling gets taken out on a friend.
Protagonist Keya fumes when younger brother Nate gives Keya’s cereal to the dog and cuts holes in Keya’s favorite hat. Keya stomps outside. Hooper, Keya’s friend, offers a cheerful greeting, but Keya darts away. A fantasy race ensues, briefly cathartic, but Keya’s temper explodes after a knee-scraping tumble. Keya bursts out, “I don’t like you, Hooper.” It’s not true, of course, and they make up after a sweetly responsible apology. Aside from twice waxing poetic (“The kind of mad that starts / and swells / and spreads like a rash”), Adelman’s prose is dull and declarative (“Then we joked and laughed. I was so happy”). Keya and her family present white and Hooper, black. Keya’s glorious, lively black curls are de la Prada’s best visual. Many illustrations are too uniformly saturated, with the composition offering no clear place to focus. A “gold medal like sunshine” that Keya wins in the imagined race is barely visible. In a critical misstep for a book for fostering emotional literacy, narrator Keya says Hooper looks “way past mad”—echoing an earlier description of Keya—while the illustrations clearly show him as hurt, not angry. Choose Tameka Fryer Brown and Shane Evans’ My Cold Plum Lemon Pie Bluesy Mood (2013) or Judith Viorst and Ray Cruz’s classic Alexander and the Terrible, Horrible, No Good, Very Bad Day (1972) instead.
In a crowded subgenre, this offering is unnecessary. (Picture book. 4-8)Pub Date: March 1, 2020
ISBN: 978-0-8075-8685-3
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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