In a crowded subgenre, this offering is unnecessary.

WAY PAST MAD

Anger at a sibling gets taken out on a friend.

Protagonist Keya fumes when younger brother Nate gives Keya’s cereal to the dog and cuts holes in Keya’s favorite hat. Keya stomps outside. Hooper, Keya’s friend, offers a cheerful greeting, but Keya darts away. A fantasy race ensues, briefly cathartic, but Keya’s temper explodes after a knee-scraping tumble. Keya bursts out, “I don’t like you, Hooper.” It’s not true, of course, and they make up after a sweetly responsible apology. Aside from twice waxing poetic (“The kind of mad that starts / and swells / and spreads like a rash”), Adelman’s prose is dull and declarative (“Then we joked and laughed. I was so happy”). Keya and her family present white and Hooper, black. Keya’s glorious, lively black curls are de la Prada’s best visual. Many illustrations are too uniformly saturated, with the composition offering no clear place to focus. A “gold medal like sunshine” that Keya wins in the imagined race is barely visible. In a critical misstep for a book for fostering emotional literacy, narrator Keya says Hooper looks “way past mad”—echoing an earlier description of Keya—while the illustrations clearly show him as hurt, not angry. Choose Tameka Fryer Brown and Shane Evans’ My Cold Plum Lemon Pie Bluesy Mood (2013) or Judith Viorst and Ray Cruz’s classic Alexander and the Terrible, Horrible, No Good, Very Bad Day (1972) instead.

In a crowded subgenre, this offering is unnecessary. (Picture book. 4-8)

Pub Date: March 1, 2020

ISBN: 978-0-8075-8685-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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The message is worthy, but this phoned-in follow-up doesn’t add anything significant.

THE WORLD NEEDS MORE PURPLE SCHOOLS

From the My Purple World series

A color-themed vision of what school should be like.

In what amounts to a rehash of The World Needs More Purple People (2020), Bell and Hart address adult as well as young readers to explain what “curious and kind you” can do to make school, or for that matter the universe, a better place. Again culminating in the vague but familiar “JUST. BE. YOU!” the program remains much the same—including asking questions both “universe-sized” (“Could you make a burrito larger than a garbage truck?”) and “smaller, people-sized” (i.e., personal), working hard to learn and make things, offering praise and encouragement, speaking up and out, laughing together, and listening to others. In the illustrations, light-skinned, blond-haired narrator Penny poses amid a busy, open-mouthed, diverse cast that includes a child wearing a hijab and one who uses a wheelchair. Wiseman opts to show fewer grown-ups here, but the children are the same as in the earlier book, and a scene showing two figures blowing chocolate milk out of their noses essentially recycles a visual joke from the previous outing. (This book was reviewed digitally.)

The message is worthy, but this phoned-in follow-up doesn’t add anything significant. (Picture book. 6-8)

Pub Date: June 21, 2022

ISBN: 978-0-593-43490-1

Page Count: 40

Publisher: Random House

Review Posted Online: April 27, 2022

Kirkus Reviews Issue: May 15, 2022

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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