Thoughtful reflections on the meanings of the Torah.
Solovy, an American Israeli liturgist and poet, offers a collection of poetic midrashim.
Whatever may bring a reader to this compendium of reflections on the Torah, the overwhelming sense they will depart with is that of a deep care for words and their textures. As the author writes in the introduction, “we are a people of stories. We tell them. Then we tell stories about them. Then we tell stories about the stories of the stories. We call that midrash.” The cyclical return to language and its multiple meanings is at the core of midrash, making poetry a particularly apt vehicle for its scriptural interpretations and reinterpretations. In this collection, 70 Hebrew words of Torah are grouped into 10 sections, with categories ranging from “God” and “Mitzvot” to “Journeys” and “Love.” The entry for each word includes a prose reflection, or d’var Torah, followed by a short poem; chapter introductions offer connections between the chosen terms. These prose exegeses are concise and accessible, prompting scholarly inquiry into the origins of words and rabbinic arguments about their meanings while also offering context for those unfamiliar with the terms and their significance. The poems themselves are simple, often reading as prose sentences broken into shorter lines. Their spare rhythms can be soothing, if repetitive at times—further explorations into formal and syntactical variation (or even experiments with greater abstraction) would offer welcome nuance. Still, each of the poems is compellingly sincere. Reflecting on T’ruah (“Loud Blast”) the author writes, “Holiness has a sound. / Part swoosh of blood in the veins, / Part hum from the edge of the universe, / Part stillness, part vibration, / …A sound that can only be heard / With the heart.” Whether reflecting on Afar (“Dust”) or Tzedek (“Justice”), these are indeed offerings from the heart.
Thoughtful reflections on the meanings of the Torah.Pub Date: Feb. 2, 2023
ISBN: 9780881236156
Page Count: 196
Publisher: Central Conference of American Rabbis Press
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: May 1, 2023
Review Program: Kirkus Indie
A somber, sage book about art-making that deserves a readership beyond Cave’s fan base.
The Australian alt-rock icon talks at length about the relationship between faith, death, and art.
Like many touring musicians stalled during the pandemic, Cave pursued an autobiographical book project while in quarantine. But rather than write a standard memoir, he instead consented to a book of extensive interviews with U.K. arts journalist O’Hagan, photography critic for the Guardian and a feature writer for the Observer. Cave chose this approach in order to avoid standard rock-star patter and to address grittier, more essential matters. On that front, he has plenty of material to work with. Much of the book focuses on his 15-year-old son Arthur, who died from an accidental fall off a cliff in 2015. The loss fueled Cave’s 2019 album, Ghosteen, but Cave sees the connection between life and art as indirect, involving improvisation, uncertainty, and no small amount of thinking about religion. “The loss of my son is a condition; not a theme,” he tells O’Hagan. Loss is a constant in these conversations—during the period when they were recorded, Cave’s mother also died, as did his former band mate Anita Lane. Yet despite that, this is a lively, engrossing book energized by Cave’s relentless candor—and sometimes counterintuitive thinking—about his work and his demons. His well-documented past heroin addiction, he says, “fed into my need for a conservative and well-ordered life.” Grief, he suggests, is surprisingly clarifying: “We become different. We become better.” Throughout, he talks about the challenges and joys of songwriting and improvisation (mostly around Carnage, the 2021 album he recorded with band mate Warren Ellis during this period) and about the comfort he gets answering questions from fans and strangers on his website. O’Hagan knows Cave’s work well, but he avoids fussy discographical queries and instead pushes Cave toward philosophical elaborations, which he’s generally game for.
A somber, sage book about art-making that deserves a readership beyond Cave’s fan base.Pub Date: Sept. 20, 2022
ISBN: 978-0-374-60737-1
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 2, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
