Not as ambitious as The Lazarus Project, but no work by Hemon is a minor effort.
A master of modern literary gamesmanship returns with a short-story collection that just might be a novel, with elements that closely parallel the author’s career.
National Book Award–nominated author Hemon (The Lazarus Project, 2008, etc.), a Bosnian now based in Chicago who has had several stories published in the New Yorker, offers a series of interconnected, first-person narratives about a Bosnian writer who moves to Chicago and has a story called “Love and Obstacles” published in the New Yorker. Yet the author has something more profound than guessing games and literary puzzles in mind. These eight stories, chronologically sequenced, follow the unnamed narrator from his formative years as an aspiring boy poet (he quotes some lines from a poem titled, naturally, “Love and Obstacles”) through his relocation to Chicago just before the siege of Sarajevo and on to his achievement of some literary accomplishment. The protagonist testifies to the inspiration of Conrad and Rimbaud (he calls The Drunken Boat “my bible”), making more contemporary references to Led Zeppelin and Sonic Youth as well. Throughout, he deals with the challenges of art, the essence of identity and the “merciless passing of time.” He contrasts the loftiness of literature with his experiences as a door-to-door magazine salesman: His blue-collar customers “did not waste their time contemplating the purpose of human life; their years were spent as a tale is told: slowly, steadily, approaching the inexorable end.” Though each is self-contained, the stories benefit from echoes and resonances, recurring themes and characters (particularly the narrator’s parents). Complicated relationships with other artists—an established poet, a documentary filmmaker, a Pulitzer Prize–winning novelist—underscore the twists of truth and fiction, the slippery slopes of memory and identity.
Not as ambitious as The Lazarus Project, but no work by Hemon is a minor effort.Pub Date: May 14, 2009
ISBN: 978-1-59448-864-1
Page Count: 224
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A mixed bag of stories: some tired but several capable of poetically piercing the heart.
Science fiction author (The Wall of Storms, 2016) and translator (The Redemption of Time, Baoshu, 2019) Liu’s short stories explore the nature of identity, consciousness, and autonomy in hostile and chaotic worlds.
Liu deftly and compassionately draws connections between a genetically altered girl struggling to reconcile her human and alien sides and 20th-century Chinese young men who admire aspects of Western culture even as they confront its xenophobia (“Ghost Days”). A poor salvager on a distant planet learns to channel a revolutionary spirit through her alter ego of a rabbit (“Grey Rabbit, Crimson Mare, Coal Leopard”). In “Byzantine Empathy,” a passionate hacktivist attempts to upend charitable giving through blockchain and VR technology even as her college roommate, an executive at a major nonprofit, fights to co-opt the process, a struggle which asks the question of whether pure empathy is possible—or even desired—in our complex geopolitical structure. Much of the collection is taken up by a series of overlapping and somewhat repetitive stories about the singularity, in which human minds are scanned and uploaded to servers, establishing an immortal existence in virtuality, a concept which many previous SF authors have already explored exhaustively. (Liu also never explains how an Earth that is rapidly becoming depleted of vital resources somehow manages to indefinitely power servers capable of supporting 300 billion digital lives.) However, one of those stories exhibits undoubted poignance in its depiction of a father who stubbornly clings to a flesh-and-blood existence for himself and his loved ones in the rotting remains of human society years after most people have uploaded themselves (“Staying Behind”). There is also some charm in the title tale, a fantasy stand-alone concerning a young woman snatched from her home and trained as a supernaturally powered assassin who retains a stubborn desire to seek her own path in life.
A mixed bag of stories: some tired but several capable of poetically piercing the heart.Pub Date: Feb. 25, 2020
ISBN: 978-1-982134-03-7
Page Count: 432
Publisher: Saga/Simon & Schuster
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK TO SCREEN
PERSPECTIVES
In Lives of Girls and Women and The Beggar Maid (the Flo and Rose stories), Canadian short-story writer Munro drew unusual strength and sharpness from the vivid particulars of growing-up with—and growing out from—a stifling yet intense Canadian background. Here, though a few of these eleven new stories reach back to that core material effectively, the focus is looser, the specifics are less arresting, and Munro's alter-egos have moved on to a real yet not-always-compelling dilemma: over 40, long-divorced, children grown, these women waver "on the edge of caring and not caring"—about men, love, sex. In "Dulse," an editor/poet vacations alone, away from a troubled affair—and is confronted by sensuality on the one hand and the "lovely, durable shelter" of celibate retreat on the other. Two other stories feature the hurt and compromise involved in "casual" affairs—casual for the man, perhaps, less so for the woman. And in "Labor Day Dinner," the divorced woman is trying again, but with a sometimes-cruel man ("Your armpits are flabby," he says) whose love must be periodically revived by her displays of (unfeigned) indifference. Still, if these studies of to-care-or-not-to-care uneasiness lack the vigor of earlier Munro (at their weakest they're reminiscent of Alice Adams), a few other pieces are reassuringly full-blooded: "The Turkey Season," about a teenage girl who takes a part-time job as a turkey-gutter and learns some thorny first lessons about unrequited love; the title story, in which a woman's trip to the planetarium illuminates her turmoil (a dying father, a rejecting daughter) with metaphor; wonderful, resonant reminiscences about the contrasting spinsters on both sides of a family. And Munro's versatility is on display in other variations on the caring/not-caring tension—between two aging brothers, between two octogenarians in a nursing-home. Only one story here, in fact, is second-rate ("Accident," an unshapely parable of adultery, guilt, and Fate); Munro's lean, graceful narrative skills are firmly demonstrated throughout. But the special passion and unique territory of her previous collections are only intermittently evident here—making this something of a let-down for Munro admirers.
Pub Date: Feb. 1, 1982
ISBN: 0679732705
Page Count: 256
Publisher: Knopf
Review Posted Online: Oct. 1, 2011
Kirkus Reviews Issue: Feb. 1, 1982
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