A visual feast.



Two children discover why we need books.

The question is posed on the first, otherwise-blank double-page spread: “Why do we need books?” On the next spread, two white children gaze up at a wall of books, rendered in swift watercolor strokes of reds, yellows, and blues. When a book falls off of the shelf and hits one in the head—“Thunk!”—the children get to take a look at the mysterious red object. “Blah Blah Blah,” it reads. Then, in a celebration of books (and of infinitives), the children find out just why we need books: “to play”; “to understand one another”; “to invent.” The children, accompanied by a black cat and a brown dog, read, build book towers, travel, and fly. A scribbly whale even leaps from an open book on verso across the gutter to amaze the children; the next double-page spread depicts a brown-skinned Pinocchio (a nod to Sanna’s Pinocchio: The Origin Story, 2016). The riotous actions of the books—tumbling off shelves, flying through the air, teetering in rickety towers— are nicely balanced by the soft palette of sunshine and golden yellows, watery blues, bold reds, and greens, with black waves that look like cursive writing. The children’s adventures with the books lead to the conclusion, which mirrors the opening in design: “Now I understand.”

A visual feast. (Picture book. 3-7)

Pub Date: March 31, 2020

ISBN: 978-1-84976-668-5

Page Count: 48

Publisher: Tate/Abrams

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.


A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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A comical, fresh look at crayons and color

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Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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