The narrative follows the familiar contours of an adolescent bildungsroman, with some lurid highlights, but Austin keeps it...
A bleak but heartfelt coming-of-age novel set in the dead-end blue-collar towns of the New Jersey shore, circa 1963.
Sam Nesbitt is a bright, sensitive high school dropout mired in the muddy town of Port Beach, where the aroma from the local perfume factory mixes with the stench of nearby garbage dumps in an olfactory metaphor of sweetness overpowered by squalor. The squalor is supplied by Sam’s abusive, usually unemployed dad, his slatternly, alcoholic mom, townie lowlifes and a general lack of money and prospects; sporadic outings with his charismatic but psychotically violent friend Leo add a few jolts of mayhem to the torpor. On the sweet side are Sam’s two archetypal teenage passions: Julie, a middle-class girl summering in a nearby town, and his ‘56 Chevy convertible. In order to raise money to buy an engine for his car–and just for the hell of it–Sam graduates from petty thievery to serious burglary, which embroils him with thugs and a strawberry farmer who holds sordid sexual trysts with his Mexican migrant workers. Floundering in this cesspool and groping for self-definition, Sam turns to the philosopher Schopenhauer, from whom he gleans the dubious insight that “the world was inside my head.” First-time novelist Austin draws a sharp, affecting portrait of wrong-side-of-the-tracks hopelessness, Jersey style. He captures perfectly the tone of teenage life, the aimlessness of finding something to do and the hesitant, meandering conversations of a budding romance. Through Sam’s warring impulses, the author also probes the serious moral conundrums of youth, as he tries to break free of his self-absorption, engage with the world and solidify his character against the pressures of external circumstances.
The narrative follows the familiar contours of an adolescent bildungsroman, with some lurid highlights, but Austin keeps it fresh with his natural sense of character and setting.Pub Date: Dec. 10, 2004
ISBN: 1-4134-6220-0
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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