An engrossing and well-crafted SF tale with timely themes.
In this debut SF novel, a detective who investigates faked deaths finds himself on the trail of a man who might change his life.
Raphael Lennon is an End Man: an employee of the Norval Department of Marketing Necrology, whose business is to hoard the online personal data of the recently deceased and sell it to the highest bidder. He’s also a struggling artist with a fear of crossing streets, which confines him to living within one square mile of Los Angeles. Raphael specifically works as a so-called “possum specialist,” tasked with rooting out those people who have faked their own deaths in an attempt to disappear. His current case is physicist Jason Klaes, whose accounts have been active even after he was recently declared dead. But why would Klaes fake his death? (“The usual alarms hadn’t sounded: no darknet sites, no online queries about disappearing from society, no underage girlfriends or boyfriends, no cryptocurrency plays or big insurance policies.”) Perhaps the most mysterious aspect of the case is why Raphael’s boss, infamous CEO Geo Maglio, wants Klaes investigated so badly. Raphael follows the clues, and before long he comes across a conspiracy involving new technologies, dangerous parties, and secrets linked to his own family. Raphael soon learns that when you pry too deeply into the business of the dead, sometimes you end up joining them. Austin’s prose is urgent and colorful, painting a dystopian world at once alien and familiar: “A mile above the museum, a weather drone circled, prepared to alter the weather if the dense, white clouds darkened. Even from a distance the machine appeared huge and menacing, as if designed for warfare.” The premise is highly imaginative, and the author brings it to life with a group of colorful and well-drawn characters. Raphael in particular has a complex interior life that will pull readers into his mission. For all the cyberpunk elements, the novel is ultimately a contemporary parable about people’s increasingly online lives and the extent to which they have become products to be bought and sold without much consideration or consent.
An engrossing and well-crafted SF tale with timely themes.Pub Date: N/A
ISBN: N/A
Page Count: 368
Publisher: Manuscript
Review Posted Online: July 1, 2021
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
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