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THE PRISONER

Deeply researched, fast-paced, and believable. Peace be upon John Wells, but only after he’s helped defeat jihad once and...

Another “blood-spatter messy” mission by Muslim CIA freelance operator John Wells (The Wolves, 2016, etc.).

Wells’ ex-girlfriend Anne pegs him perfectly when she says she's “amazed the sun rises every day without you to cart it around.” Certainly the CIA wouldn’t be the same without his heroics. He converted to Islam during a mission in Afghanistan years earlier, and the CIA doubted his loyalty, which he's since proven repeatedly. His religion isn’t political and relates more to his view of Creation than to the Middle East. Now his old boss Ellis Shafer correctly suspects the CIA has a mole feeding information to the Islamic State group, which could be planning a major attack on the West. Wells’ mission, approved by President Vinny Duto, is to go undercover to learn the jihadi plot from an IS terrorist in a Bulgarian prison. He becomes Samir Khalili, a man who “quoted the Quran and hated heroin.” The CIA cooks up a back story that he's an al-Qaida fighter who has been captured in Afghanistan and is now being dumped in the same Bulgarian hellhole. Once he’s there, the guards don’t know his real identity, so they treat him like any other “jihadi scum.” It’s a good thing he’s tough, because the guards dish out serious abuse. But danger is his comfort zone, and he’s never better than when he’s in trouble. Meanwhile, the mole the CIA is looking for, a man who calls himself Wayne (after John Wayne), tries to get info on Wells’ mission to betray him. Wayne thinks the U.S. simply spreads pain around the world and expects “love in return.” The jihadis want weapons of mass destruction and consider weaponizing anthrax, but they decide instead on sarin gas, conducting grisly but successful tests on prisoners. Eventually they obtain enough sarin to kill hundreds of people, and they know just how they’ll do it—by creating “a house of the dead.” As always, Wells proves himself to be tough and smart—he still needs both qualities once he’s sprung from prison.

Deeply researched, fast-paced, and believable. Peace be upon John Wells, but only after he’s helped defeat jihad once and for all. That's sure to extend this fine series.

Pub Date: Jan. 31, 2017

ISBN: 978-0-399-17615-9

Page Count: 432

Publisher: Putnam

Review Posted Online: Nov. 6, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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