Deeply researched, fast-paced, and believable. Peace be upon John Wells, but only after he’s helped defeat jihad once and...
Another “blood-spatter messy” mission by Muslim CIA freelance operator John Wells (The Wolves, 2016, etc.).
Wells’ ex-girlfriend Anne pegs him perfectly when she says she's “amazed the sun rises every day without you to cart it around.” Certainly the CIA wouldn’t be the same without his heroics. He converted to Islam during a mission in Afghanistan years earlier, and the CIA doubted his loyalty, which he's since proven repeatedly. His religion isn’t political and relates more to his view of Creation than to the Middle East. Now his old boss Ellis Shafer correctly suspects the CIA has a mole feeding information to the Islamic State group, which could be planning a major attack on the West. Wells’ mission, approved by President Vinny Duto, is to go undercover to learn the jihadi plot from an IS terrorist in a Bulgarian prison. He becomes Samir Khalili, a man who “quoted the Quran and hated heroin.” The CIA cooks up a back story that he's an al-Qaida fighter who has been captured in Afghanistan and is now being dumped in the same Bulgarian hellhole. Once he’s there, the guards don’t know his real identity, so they treat him like any other “jihadi scum.” It’s a good thing he’s tough, because the guards dish out serious abuse. But danger is his comfort zone, and he’s never better than when he’s in trouble. Meanwhile, the mole the CIA is looking for, a man who calls himself Wayne (after John Wayne), tries to get info on Wells’ mission to betray him. Wayne thinks the U.S. simply spreads pain around the world and expects “love in return.” The jihadis want weapons of mass destruction and consider weaponizing anthrax, but they decide instead on sarin gas, conducting grisly but successful tests on prisoners. Eventually they obtain enough sarin to kill hundreds of people, and they know just how they’ll do it—by creating “a house of the dead.” As always, Wells proves himself to be tough and smart—he still needs both qualities once he’s sprung from prison.
Deeply researched, fast-paced, and believable. Peace be upon John Wells, but only after he’s helped defeat jihad once and for all. That's sure to extend this fine series.Pub Date: Jan. 31, 2017
ISBN: 978-0-399-17615-9
Page Count: 432
Publisher: Putnam
Review Posted Online: Nov. 6, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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