Readers may pick it up for the reimagined fairy tale, but they’ll remember it for Rachel.
A contemporary retelling of “Rapunzel” overcomes a somewhat connect-the-dots feel with its gentle, spirited heroine.
The tale is told in two voices: Rachel’s, the blonde girl in the tower, and Wyatt’s, a boy with a secret sorrow. Wyatt has been sent to upstate New York to stay with the mother of an old friend of his mom’s, Mrs. Greenwood, to heal from something readers don’t learn about until halfway through the story. Meanwhile Rachel, who loves the woman she calls “Mama” although she knows her real mother is dead, begins to chafe against her confinement and her loneliness, although Mama visits her each day with food, books and art supplies. Wyatt finds the diary of Mrs. Greenwood’s daughter Danielle, presumed long-dead, and begins to tie together strands that include missing teens, drug addiction, demon lovers and tears that heal. Flinn’s “towering” achievement here is Rachel. She makes readers believe in a character educated only on books brought to her and who has not been outside in years. Readers will understand how she reacts as she does to a cellphone, to walking in snow and to hair that grows so fast she can see it, and they will find her both intelligent and resourceful. Rachel and Wyatt’s romantic encounters are tender and utterly implicit.
Readers may pick it up for the reimagined fairy tale, but they’ll remember it for Rachel. (Fantasy. 12-18)Pub Date: May 14, 2013
ISBN: 978-0-06-202417-6
Page Count: 304
Publisher: HarperTeen
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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