A compassionate, feel-good story affording readers opportunities for identification, information, and inspiration.
A contemporary, character-driven, coming-of-age story about a queer tween and their crush.
Nonbinary Green Gibson is active in Jung Middle School’s Rainbow Spectrum affinity group and is looking forward to auditioning for their school’s revamped production of The Wizard of Oz, in which actors get to choose the genders of their roles. Green isn’t cast in the play, but their disappointment turns to curiosity when their crush, Ronnie, signs up to help behind the scenes. When Green joins the stage crew as well, Ronnie—who is white, has two moms, and describes himself as a “cis het guy”—keeps signaling his interest, and Green can’t stop thinking about Ronnie. This situation leads Green, who’s also dealing with looming questions related to the onset of puberty, to interrogate everything and embrace complexity and ambiguity. Filled with age-relevant experiences and deeper, more introspective reflections on bodily autonomy, identity, and internalized oppression, the plot stays laser-focused on Green and their close-knit, caring, and wise intergenerational sphere. Information-packed dialogue that at times feels a bit forced embeds history and possibility into the upbeat and affirming narrative, educating readers about topics such as gender theorist Judith Butler and the term friend of Dorothy. Readers familiar with Gino’s Melissa (2015) and Rick (2020) will recognize the setting as well as some of the characters and occasional nods to their backstories. Green is cued white; the school community is broadly diverse.
A compassionate, feel-good story affording readers opportunities for identification, information, and inspiration. (Fiction. 8-12)Pub Date: Oct. 3, 2023
ISBN: 9781338776140
Page Count: 240
Publisher: Scholastic
Review Posted Online: July 31, 2023
Kirkus Reviews Issue: Aug. 15, 2023
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
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