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PROXY

Whipping Boy + Blade Runner with a sprinkling of The Hunger Games (plus, of course, a dash of A Tale of Two Cities) = a...

Sixteen-year-old Syd is a good guy; but he’s “proxy” to a “patron,” so Syd has to pay for someone else’s crimes.

In a post-apocalyptic, near future, gay teen Sydney Carton was a “swampcat” orphan from the eastern wastes of what was once America. The Benevolent Society rescued him, named him after the Dickens character and charged him for the rescue as well as his future education. (Two other orphans are named Tom Sawyer and Atticus Finch.) To repay that debt, they assigned him to be a proxy for Knox Brindle, whose father runs the powerful SecuriTech company. Whenever Knox acts up, Syd is punished, sometimes violently. When Knox’s antics kill a girl, Syd’s sentenced to years of hard labor on top of the debt he still owes. Fed up, Syd escapes and accidentally comes face to face with Knox, who’s beginning to wonder if he isn’t the one who owes a debt to his proxy. As the boys avoid the Guardians, they discover that the secret to forgiving everyone’s debts may be in Syd’s blood. Accidental Adventures author London drops his first initial for his teen debut, a smart, stylish science-fiction thriller that deftly weaves big issues like guilt, accidents of birth, redemption and commerce into a page-turning read.

Whipping Boy + Blade Runner with a sprinkling of The Hunger Games (plus, of course, a dash of A Tale of Two Cities) = a treat for teen SF fans. (Science fiction. 12 & up)

Pub Date: June 18, 2013

ISBN: 978-0-399-25776-6

Page Count: 384

Publisher: Philomel

Review Posted Online: April 2, 2013

Kirkus Reviews Issue: May 1, 2013

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THE ONLY GIRL IN TOWN

A high-concept premise that falls short in its execution.

A teenage girl finds herself alone after everyone else in her town mysteriously disappears, leaving her scrambling to figure out how to find them all.

One late summer day, everybody in July Fielding’s town disappears. She is left to piece together what happened, following a series of cryptic signs she finds around town urging her to “GET THEM BACK.” The narrative moves back and forth between July’s present and the events of the summer before, when her relationship with her best friend, cross-country team co-captain Sydney, starts to fracture due to a combination of jealousy over July’s new relationship with a cute boy called Sam and sweet up-and-coming freshman Ella’s threatening to overtake Syd’s status as star of the track team. The team members participate in a ritual in which they jump off a cliff into the rocky waters below at the end of their Friday practice runs. Though Ella is reluctant, Syd pressures her to jump. Short, frenetically paced sections move the story along quickly, and there is much foreshadowing pointing to something terrible that occurred at the end of that summer, which may be the key to July’s current predicament, but there is much misdirection too. Ultimately this is a story without enough setup to make the turn the book takes in the end feel fully developed or earned. All characters read white.

A high-concept premise that falls short in its execution. (Fiction. 14-18)

Pub Date: Sept. 19, 2023

ISBN: 9780593327173

Page Count: 320

Publisher: Dutton

Review Posted Online: July 27, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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