A work of understated beauty that will delight both children and the adults who read to them.

This lyrical counting book is a reminder that no matter what they look like, where they live, or whom they call a family, children all around the world live under the same sky.

The book’s first half is a poem that counts from one up to 10, incorporating imagery ranging from two clouds and three songbirds to ten whirligigs. In the second half of the book, the poem counts back down to one, this time starting with nine shadows and culminating with two “sleepyheads” before ending “under one wide sky,” a refrain that repeatedly pulls the text together. While no countries or faiths are named, the characters and locations in the illustrations clearly hail from all over the world. In one illustration, for example, a young boy wears a yarmulke while in another, an image of what appears to be Australia’s Uluru fills the background. The characters include a child who appears Black, a brown-skinned hijabi, and other kids displaying a variety of hair textures and skin colors. The sparse verse, related in couplets, is studded with gorgeous imagery and ingeniously chosen verbs: On one page, for example, the author describes how shadows “butter” the ground. The illustrator’s use of a muted palette lends the pictures a gentle, ethereal feel that ably complements the text.

A work of understated beauty that will delight both children and the adults who read to them. (Picture book. 2-5)

Pub Date: June 15, 2021

ISBN: 978-1-68364-633-4

Page Count: 32

Publisher: Sounds True

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021


From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018


Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014