A breezy romantic comedy starring two pairs of LGBTQ teens stays pleasantly upbeat but hits a few false notes. Lance has a date to meet Sergio. Lance brings his friend Allie. Sergio brings his friend Kimiko, and two sets of crushes ignite. Lance is anxious about Sergio's being bi. Sergio worries that Lance is too clingy. Kimiko fears that Allie is out of her league. Allie has a boyfriend but wonders if she might be bi... and falling for Kimiko. The third-person narrator switches perspectives with a dizzying briskness, as the four teens flirt, gossip and brood in occasionally cringeworthy teenspeak ("putting the make," "You did a hella thing" and an enthusiastic, "Like, yeah!"). Amid the giddy energy a few serious issues arise. Lance comes to understand his own biphobia; two teens struggle with homophobic parents; the boys (but not the girls) work to decide and agree upon how fast to move sexually. The portrayal of Kimiko and her family is marred by the use of Asian stereotypes: She and Sergio call her rigid and intolerant mother a "Dragon Lady" and refer to her "Samurai face," and Allie's "Japan-geek" fascination with Kimiko's ethnicity is never problematized. Still, readers who can overlook the stereotypes and clunky slang will enthusiastically root for both couples. (Fiction. 12 & up)
Pub Date: April 19, 2011
ISBN: 978-1-4169-3773-9
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: March 15, 2011
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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