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BOYFRIENDS WITH GIRLFRIENDS

A breezy romantic comedy starring two pairs of LGBTQ teens stays pleasantly upbeat but hits a few false notes. Lance has a date to meet Sergio. Lance brings his friend Allie. Sergio brings his friend Kimiko, and two sets of crushes ignite. Lance is anxious about Sergio's being bi. Sergio worries that Lance is too clingy. Kimiko fears that Allie is out of her league. Allie has a boyfriend but wonders if she might be bi... and falling for Kimiko. The third-person narrator switches perspectives with a dizzying briskness, as the four teens flirt, gossip and brood in occasionally cringeworthy teenspeak ("putting the make," "You did a hella thing" and an enthusiastic, "Like, yeah!"). Amid the giddy energy a few serious issues arise. Lance comes to understand his own biphobia; two teens struggle with homophobic parents; the boys (but not the girls) work to decide and agree upon how fast to move sexually. The portrayal of Kimiko and her family is marred by the use of Asian stereotypes: She and Sergio call her rigid and intolerant mother a "Dragon Lady" and refer to her "Samurai face," and Allie's "Japan-geek" fascination with Kimiko's ethnicity is never problematized. Still, readers who can overlook the stereotypes and clunky slang will enthusiastically root for both couples. (Fiction. 12 & up)

Pub Date: April 19, 2011

ISBN: 978-1-4169-3773-9

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: March 15, 2011

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

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In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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