Triumphantly mordant and transporting poems.

DREAMT

OR THE LINGERING PHANTOMS OF EQUINOX

This collection of poetry may be founded on a series of playful dreams, but its message of protest offers a rousingly powerful wake-up call.

This second volume of poetry by Salinas is divided into two sections. The first and longer of the two is entitled “Sleeping” while the second is called “Woken.” Many of the poems found in the first section delve into whimsical, dreamlike scenarios. In “Cat,” he muses: “I dreamt I was a snow-white cat who / Owned Haruki Murakami.” The deliciously absurd piece describes the poet as a cat master, demanding that felines be featured in all of Murakami’s books in exchange for food and shelter. In the equally absurd “Smoke,” Salinas writes: “I dreamt I was a cigarette,” followed later by “I begged Ayn / Rand to light me up.” The poem is rendered darker by the knowledge that Rand, a heavy smoker, contracted lung cancer. The mercurial nature of Salinas’ poetry will leave readers uneasy and uncertain of where he will take them next but beguiled all the same. His writing sometimes shoots from the hip. In a poem called “Native,” he references sexual harassment accusations against the Native American novelist Sherman Alexie, asserting controversially: “You allowed your pendulous / Totem pole to carve the path, and now all / Our efforts are shattered.” Yet when addressing the death of George Floyd in “Breathe,” the poet’s tone is tender, although tempered with rage: “My brother, / My beauty, / I can’t breathe / When I hold back the / Black rain.” Alternatively, “Whistling Dixie on Trump Tower one fine January morning” channels Salinas' disdain via an erasure poem shrewdly crafted by omitting selected words from Donald Trump’s 2017 presidential inauguration speech—part of which reads threateningly: “I will fight you / never, ever let you / start winning again.” Other pieces are marked by the poet’s expressive wordplay; in “Serpentine Situation,” gridlock on the interstate is described delightfully as “Aggro jazz of / Chrysalis lives, / Some in Chryslers.” This outstanding collection goes where it likes, often to places some readers may not wish to follow. Those who do will not experience a dull moment.

Triumphantly mordant and transporting poems.

Pub Date: July 4, 2020

ISBN: 978-1-912017-19-5

Page Count: 77

Publisher: Hekate Publishing

Review Posted Online: Aug. 21, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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A whimsical fantasy about learning what’s important in life.

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THE MIDNIGHT LIBRARY

An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Light on suspense but still a solid page-turner.

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THE LAST THING HE TOLD ME

When a devoted husband and father disappears, his wife and daughter set out to find him.

Hannah Hall is deeply in love with her husband of one year, Owen Michaels. She’s also determined to win over his 16-year-old daughter, Bailey, who has made it very clear that she’s not thrilled with her new stepmother. Despite the drama, the family is mostly a happy one. They live in a lovely houseboat in Sausalito; Hannah is a woodturner whose handmade furniture brings in high-dollar clientele; and Owen works for The Shop, a successful tech firm. Their lives are shattered, however, when Hannah receives a note saying “Protect her” and can’t reach Owen by phone. Then there’s the bag full of cash Bailey finds in her school locker and the shocking news that The Shop’s CEO has been taken into custody. Hannah learns that the FBI has been investigating the firm for about a year regarding some hot new software they took to market before it was fully functional, falsifying their financial statements. Hannah refuses to believe her husband is involved in the fraud, and a U.S. marshal assigned to the case claims Owen isn’t a suspect. Hannah doesn’t know whom to trust, though, and she and Bailey resolve to root out the clues that might lead to Owen. They must also learn to trust one another. Hannah’s narrative alternates past and present, detailing her early days with Owen alongside her current hunt for him, and author Dave throws in a touch of danger and a few surprises. But what really drives the story is the evolving nature of Hannah and Bailey’s relationship, which is by turns poignant and frustrating but always realistic.

Light on suspense but still a solid page-turner.

Pub Date: May 4, 2021

ISBN: 978-1-5011-7134-5

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Feb. 10, 2021

Kirkus Reviews Issue: March 1, 2021

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