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WHITE-OUT

THE CIA, DRUGS AND THE PRESS

An investigative report on the CIA’s involvement in drug dealing and other nefarious deeds and the failure of the press to expose them. Nation columnist Cockburn and St. Clair (co-writer with Cockburn and Ken Silverstein of the newsletter Counterpunch) begin their tale with an account of Gary Webb’s series in the San Jose Mercury News on the CIA’s connection with drug cartels in Latin America. The series set off a firestorm in the African-American community, as it appeared the US government was involved in bringing the plague of crack cocaine to poor black communities. The mainstream press—the New York Times, Washington Post, etc.—pilloried Webb, attacking the accuracy of his reporting and accusing him of fanning —black paranoia.— In the final chapter of the book, however, the authors offer an analysis of a subsequent CIA report that by and large substantiated Webb’s charges. The theme of the book is clear: the CIA acts badly, the mainstream press not only ignores but protects the CIA, yet it turns out the CIA is usually guilty of doing whatever it has been accused of. Cockburn and St. Clair present a litany of CIA misdeeds, from the recruitment of Nazi scientists after WWII to the arming of opium traffickers in Afghanistan. All of this is extremely well documented; much of it is well known, or should be. Yet what they do not do, despite the promise of the title, is spend much time on the press. Questions remain unanswered, under-theorized: Why does so much of the press seem subservient to the CIA? What are the mechanisms underlying this relationship? Does the CIA buy off the press, are reporters on the CIA payroll, or is there simply a cultural and class affinity between the press and the CIA that makes bribing unnecessary? A chilling history—that many will take issue with—of what the CIA has been up to the past 50 years, but disappointing in its analysis.

Pub Date: Sept. 3, 1998

ISBN: 1-85984-139-2

Page Count: 240

Publisher: Verso

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1998

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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