A smashing series opener for fans of literary fantasy.

A Woman Warrior Born

THE BOOK OF BANEA, VOLUME 1

Edlund’s fantasy stars a capable young warrior who seeks more knowledge about a ruinous prophecy she herself is destined to fulfill.

In the kingdom of Limtir lives 19-year-old Breea Banea, the youngest female applicant to the Library in 1,000 years. She’s an expert in woodland survival, hunting, and combat. Breea still has much to learn, however, including the potent magic of weaving and why a priest said that her birth signaled the destruction of Yash, the religious capital city of the distant realm of Yasharn. In the forest, Breea encounters the violent Lupazg, a being out of the Legend Time who can change from a man to a giant white wolf. Lupazg strikes at the Library, placing Breea’s friend and mentor, Ajalay, (and most of the Tomeguard soldiers) in mortal danger. During the chaos, a guard named SaKlu performs a coup at the Library that’s tied to the religious upheaval sweeping nearby lands. He rules in the name of Yash, proclaiming those who stand against him vile Dauthaz. Will Breea survive long enough to discover the truth about her role in the Yasharn prophecies? This first volume in author Edlund’s ambitious new series drops readers into a grandiose realm, filled with forest cats who speak the secret Breowic language and lovers who have “caught the moonstone” for each other. The prose is dense and lyrical, reminiscent of high-fantasy masterminds like M. John Harrison: “The spark hovering above her palm,” we read of Ajalay in battle, “shone like a star brought to ground.” Edlund’s cinematic action scenes feature magic that whips and writhes like a living thing (“Lupazg snarled, and frost rimed her clothing and hair”). Though many of the set pieces are standard fantasy fare—the sea battle and the bustling city—audiences will likely follow the complex Breea anywhere after Edlund’s astonishing cliffhanger.

A smashing series opener for fans of literary fantasy.

Pub Date: Nov. 7, 2013

ISBN: 978-1-4937-2995-1

Page Count: 279

Publisher: Landstrider Press

Review Posted Online: May 26, 2015

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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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THE PRIORY OF THE ORANGE TREE

After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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THE NIGHT CIRCUS

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.” Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

 

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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