A frothy celebration of the joy of numbers. Having waltzed through the world of letters (Alpha to Omega, 1981), the Humezes—this time with the help of freelancer Maguire- -turn their sights on numbers 0 through 13, along with infinity (whose sign, a sideways eight, explains the title). Numbers, they assure us, shine with integrity: ``To the extent that numbers say anything about the real world, they do so unfailingly and incorruptibly.'' Drawing on thinkers as diverse as Camille Paglia and Georg Cantor, and dipping into history, etymology, mathematics, and folklore, the authors praise each integer in turn. Zero, ``where it all began, the clean slate''—the only number that is neither positive nor negative—gives birth to ``zero hour'' and ``ground zero.'' One (``in the beginning, all things were one'') allows discussion of the Peano postulates, which demonstrate how and why numbers run in sequence. Two leads to meditations on left-handedness and pairings of heroes and sidekicks. Three brings Fibonacci numbers, golden rectangles, prime numbers, pi, and jokes: ``How many Californians does it take to screw in a lightbulb? Three: one to screw it in and two to share in the experience.'' Four suggests the four-color map problem. Five? ``Take five!'' Six includes anagrams—as well as antigrams, wherein ``The Waldorf'' becomes ``Dwarf Hotel.'' And so on up to infinity, which holds ``an infinitude of infinities.'' The approach is giggly, inventive (the discussion of eight includes a floor plan for a one-dimensional house), stuffed with arcana (13 is ``the only number for the fear of which we have a specific word in English: triskaidekaphobia''). Nimble nutty number play, as the authors make their case, four-square and to the nines, that ``no number is dull.'' (Line drawings)
Pub Date: Aug. 5, 1993
ISBN: 0-671-74282-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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