Terrific characters, vivid settings, and a deliciously dastardly, cunningly constructed plot.

WHO IS MAUD DIXON?

An ambitious aspiring writer gets a dream job working for her favorite author.

Andrews' devilishly clever debut opens at a publishing-house holiday party in a New York bar where editorial assistant Florence Darrow and her colleagues are debating "the question asked in countless magazine articles, online forums, and publishing lunches all over town": Who is the author behind the pseudonym Maud Dixon? Someone says they've heard it's a man! As one of the millions of fans of Dixon's debut novel, Mississippi Foxtrot, Florence dismisses the importance of the author's gender. "She knew that, whoever she was, she was an outsider, like Florence herself." Later that night, Florence ends up in a hotel with her editorial director, who happens to be married to a famous actress. "He must have known," Florence later muses, "that sleeping with a young assistant who worked for him had the potential to destroy both his career and his family." But when Florence tries to parlay their connection into a book deal, it is she who ends up losing her job. Oddly, though, she's not worried about being broke and jobless—she's sure the universe is watching out for her. And she may be right, because two weeks later she's asked to apply for a job as personal assistant to Maud Dixon herself. This delightful publishing satire continues for about half the book, and just when you're thinking "Didn't they say this was a thriller?" the wild suspense plot kicks in. The story leaps from an isolated estate outside Hudson, New York, to the dusty medinas and towering cliffs of Morocco, and here the comparisons to The Talented Mr. Ripley start to make sense. At every diabolical twist and turn, Andrews' impish sense of humor peeks around the corner to jack up the fun.

Terrific characters, vivid settings, and a deliciously dastardly, cunningly constructed plot.

Pub Date: March 2, 2021

ISBN: 978-0-316-50031-9

Page Count: 336

Publisher: Little, Brown

Review Posted Online: March 17, 2021

Kirkus Reviews Issue: April 15, 2021

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Crave chills and thrills but don’t have time for a King epic? This will do the job before bedtime. Not that you’ll sleep.

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LATER

Horrormeister King follows a boy’s journey from childhood to adolescence among the dead—and their even creepier living counterparts.

Jamie Conklin sees dead people. Not for very long—they fade away after a week or so—but during that time he can talk to them, ask them questions, and compel them to answer truthfully. His uncanny gift at first seems utterly unrelated to his mother Tia’s work as a literary agent, but the links become disturbingly clear when her star client, Regis Thomas, dies shortly after starting work on the newest entry in his bestselling Roanoke Saga, and Tia and her lover, NYPD Detective Liz Dutton, drive Jamie out to Cobblestone Cottage to encourage the late author to dictate an outline of his latest page-turner so that Tia, who’s fallen on hard times, can write it in his name instead of returning his advance and her cut. Now that she’s seen what Jamie can do, Liz takes it on herself to arrange an interview in which Jamie will ask Kenneth Therriault, a serial bomber who’s just killed himself, where he’s stowed his latest explosive device before it can explode posthumously. His post-mortem encounter with Therriault exacts a high price on Jamie, who now finds himself more haunted than ever, though he never gives up on the everyday experiences in which King roots all his nightmares.

Crave chills and thrills but don’t have time for a King epic? This will do the job before bedtime. Not that you’ll sleep.

Pub Date: March 2, 2021

ISBN: 978-1-7890-9649-1

Page Count: 256

Publisher: Hard Case Crime

Review Posted Online: Dec. 26, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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Densely plotted and replete with incident if you can overlook the insufferable narrator.

WIN

Memo to fans who’ve longed for Windsor Horne Lockwood III, the moneyed, omnicompetent buddy of sports agent Myron Bolitar, to snag a starring role of his own: Beware what you wish for.

Nothing would connect privileged Win with the murder of the reclusive tenant of an exclusive Upper West Side building if the police hadn’t found a painting inside Ry Strauss’ apartment—a Vermeer belonging to Win’s family that was stolen long ago while on loan to Haverford College—along with a monogrammed suitcase belonging to Win himself. The two discoveries tie Win not only to the murder, but to the Jane Street Six, a group of student activists Strauss led even longer ago. The Six’s most notoriously subversive action, the bombing of an empty building in 1973, left several innocents accidentally dead and the law determined to track down the perps. But except for Vanessa Hogan, whom Billy Rowan tearfully visited soon after the bombing to beg her forgiveness for his role in bringing about the death of her son, no one’s seen hide nor hair of the Six ever since. The roots of the outrage go even deeper for Win, whose uncle, Aldrich Powers Lockwood, was killed and whose cousin, Patricia, to whom he’d given that suitcase, was one of 10 women kidnapped, imprisoned, and raped in an unsolved crime. These meaty complications are duly unfolded, and gobs of cash thrown at them, by the ludicrously preening, self-infatuated Win, who announces, “It’s good to be me,” and “I can be charming when I want to be.” As if.

Densely plotted and replete with incident if you can overlook the insufferable narrator.

Pub Date: March 16, 2021

ISBN: 978-1-5387-4821-3

Page Count: 384

Publisher: Grand Central Publishing

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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