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WHAT I LOST

Readers will root for the novel’s likable main character and gain some understanding of the complexity of her illness at the...

A young woman struggles with anorexia in this debut.

High school junior Elizabeth has dropped to a dangerous 90 pounds before being sent to Wallingfield Psychiatric Facility by her worried parents. She’s unsure what to expect and is somewhat ambivalent about her treatment—she doesn’t want to get better if it means that she has to gain weight. However, as this engrossing and heartfelt novel progresses, Elizabeth finds that the enforced, monitored meals and various therapy groups at Wallingfield are at once sources of shame, frustration, and hope. Vivid descriptions of the panic and visceral disgust she experiences at the prospect of eating juxtapose well with the account of her progress as she begins to confront just how profound the effect her mother’s disordered relationship with food and body image has had on her. That some of this account is noticeably expository finds compensation in Elizabeth’s well-developed character. Elizabeth develops supportive friendships with several girls at the center, and a romantic subplot with a boy she knows from school adds an appealing layer to the first-person, confessional narrative. The ethnicities of the main characters are not specified, though mention is made of a friend of Elizabeth’s standing out as the only Indian student at school, suggesting that the community is predominantly white.

Readers will root for the novel’s likable main character and gain some understanding of the complexity of her illness at the same time. (Fiction. 14-18)

Pub Date: June 6, 2017

ISBN: 978-0-374-30463-8

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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WALKING IN TWO WORLDS

A thrilling, high-tech page-turner with deep roots.

A teen navigates different worlds: real and virtual, colonized and Indigenous.

In the near-future real world, Bugz’s family has clout in the community—her mom is their first modern-day woman chief, her father’s a highly admired man, and her older brother is handsome and accomplished. Socially awkward Bugz, by contrast, feels more successful in the virtual gaming world of the Floraverse, where she has amassed tremendous power. Yes, her ’Versona has a slimmed-down figure—but Bugz harnesses her passion for the natural world and her Anishinaabe heritage to build seemingly unbeatable defenses, especially her devoted, lovingly crafted Thunderbird and snake/panther Mishi-pizhiw. Cheered on by legions of fans, she battles against Clan:LESS, a group of angry, misogynistic male gamers. One of them, Feng, ends up leaving China under a cloud of government suspicion and moving to her reservation to live with his aunt, the new doctor; they are Muslim Uighurs who have their own history of forced reeducation and cultural erasure. Feng and Bugz experience mutual attraction—and mistrust—and their relationship in and out of the Floraverse develops hesitantly under a shadow of suspected betrayal. Kinew (Anishinaabe) has crafted a story that balances heart-pounding action scenes with textured family and community relationships, all seamlessly undergirded by storytelling that conveys an Indigenous community’s past—and the vibrant future that follows from young people’s active, creative engagement with their culture.

A thrilling, high-tech page-turner with deep roots. (glossary, resources) (Science fiction. 14-18)

Pub Date: Sept. 14, 2021

ISBN: 978-0-7352-6900-2

Page Count: 296

Publisher: Penguin Teen

Review Posted Online: June 23, 2021

Kirkus Reviews Issue: July 15, 2021

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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