Plenty of thrills alongside thoughtful, poignant explorations of love and loss.
This sequel to Walking in Two Worlds (2021) returns readers to the virtual and real worlds in which a teen girl navigates grief, confronts those who wish to undermine her, and grows in self-confidence.
Picking up soon after Anishinaabe teen Bugz has lost her older brother, Waawaate, to cancer, the book immediately plunges readers back into the action. Bugz is officially dating Feng, the Uighur boy who lives on the reservation with his doctor aunt, but in the depths of her grief, she spends most of her time in the virtual realm of the Floraverse with her latest creation, a Waawaate-bot. Meanwhile, the hostile players who ganged up on Bugz in the Floraverse and even destroyed the sacred Thunderbird’s Nest on the Rez have become the target of the Waawaate-bot, who grows increasingly powerful, menacing, and out of control, crossing worlds in ways that should not be possible. Seeing the terrifying impact of her well-intentioned creation forces Bugz to look honestly at how she is coping with her brother’s loss, especially when Feng receives shocking news from China. The story also follows Waawaate as his soul travels Gaagigewekinaa, or the Everlasting Road, in the afterlife. Kinew (Anishinaabe) presents readers with another well-paced novel set in a vividly realized world in which young people create new paths that are grounded in community and cultural continuity.
Plenty of thrills alongside thoughtful, poignant explorations of love and loss. (Anishinaabe terms and pronunciation guide, author’s note, resources) (Science fiction. 12-18)Pub Date: Jan. 10, 2023
ISBN: 9780735269033
Page Count: 272
Publisher: Tundra Books
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
