Who says puzzles can’t be heartfelt? Merry Christmas!
A surprisingly deeply felt adjunct to Benedict’s aggressively brainy The Christmas Murder Game (2022).
DI Rosalind Parker, who’s parted ways with Lewisham’s Criminal Investigation Division after 25 years, is on her way to Fort William, Scotland, to be with her very pregnant daughter, who's gone into labor during Christmas week. But the train, inspired, like so many other details here, by Agatha Christie’s Murder on the Orient Express, is delayed by bad weather and then suffers a partial derailment that brings it to an abrupt stop in the middle of nowhere. As Heather Parker’s fiancee, Ellie, relays the increasingly dire details of her delivery, Roz is flooded with unwelcome memories of her own experience giving birth to Heather only a few months after being raped while pregnant with her. Luckily, there are plenty of distractions aboard the train, where singer/influencer/exhaustingly oversized personality Meg Forth has been found dead, and her companion, a serial abuser who’s the most likely suspect in her murder, Britain’s Best Boyfriend star Grant McVey, soon follows. The surviving characters—including a family of six, a quartet of undergraduates vying for a spot on the quiz show Geek Street, an IT resource person at King’s College London, and a Crown Prosecutor who has an unexpectedly close tie to Roz—are sadly less interesting. But that doesn’t stop Benedict from raining down red herrings, plot complications, and false solutions, spiced up by a series of meta-games involving anagrams, Kate Bush songs, three rounds of a Christmas quiz, and the obligatory recipe. What stands out most, though, is how poignant the central situation is, once you finally wrap your head around it.
Who says puzzles can’t be heartfelt? Merry Christmas!Pub Date: Oct. 3, 2023
ISBN: 9781728284415
Page Count: 272
Publisher: Poisoned Pen
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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