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THE CHRISTMAS MURDER GAME

Super brainy in an appropriately superficial way.

A couturier returns to her late aunt’s home in Yorkshire for one last Christmas reunion that promises more sorrow than joy.

Liliana Armitage-Feathers was always an incorrigible game player. Now that she’d dead, her idea of an appropriate legacy is to hide anagrammatic clues to 12 possible keys to an unknown place where the deeds to Endgame House are hidden in 12 sonnets, each one of which will be made available to her prospective heirs on one of the 12 days of Christmas, with the house to go to the relative who finds the key that unlocks the hiding place. Lily Armitage, a corsetier still grieving her mother, Mariana Armitage, who died under questionable circumstances on Boxing Day 21 years ago, doesn’t want her Aunt Liliana’s house, but she does want to honor her memory. So she agrees to play along with her cousins Tom and Ronnie and Rachel Armitage, whom she rather likes, and Sara Armitage-Feathers, whom she doesn’t much like at all and suspects of murder. As Christmas passes into New Year’s and beyond, the clues and keys mount up. So do the casualties, raising real suspicions whether this will be a holiday-themed remake of And Then There Were None. Never fear; enough suspects will remain at the end to make the big reveal moderately surprising, though the bigger surprise is how many felonies end up attributed to how many perpetrators. Just in case this setup isn’t artificial enough for you, Benedict piles two more games atop the games her characters play: a dozen hidden anagrams of the gifts of the 12 days of Christmas, and a dozen hidden references to earlier Christmas-themed whodunits.

Super brainy in an appropriately superficial way.

Pub Date: Oct. 4, 2022

ISBN: 978-1-7282-6303-8

Page Count: 304

Publisher: Poisoned Pen

Review Posted Online: July 7, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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A FATAL CROSSING

Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.

A luxury liner bound for New York in 1924 becomes the scene of a twisty golden age pastiche.

When an unnamed third-class passenger discovers the body of an elderly man at the bottom of an exterior flight of stairs aboard the Endeavour, Capt. McCrory insists it must be an accident. But James Temple, a Scotland Yard detective who just happens to be aboard, says that no one would have ventured to the outdoor steps in the rain without a coat, so the death should be treated as suspicious. Unable to stop Temple from investigating, McCrory assigns ship’s officer Timothy Birch to accompany him, and Birch promptly becomes the world’s most unwilling Dr. Watson, constantly battling Temple over theories and procedures. Anxious that they have only four days to find a potential killer before the ship docks and lets its 2,000 passengers roam free in New York, he’s especially infuriated at the leisurely pace marked by Temple’s bromide, “Facts before witnesses.” There’s reason to sympathize with Temple, because the suspects in first and second class (the only classes that matter in this ultra-class-conscious world) are cardboard cutouts—the successful banker, his trophy wife, the aspiring artists, the gallery owner—who are much less interesting than the secrets they’re hiding. In his most anachronistic development, author Hindle shows Birch, unlike the imperturbable sidekicks he echoes, sunk in grief over his vanished daughter, Amelia, and his estranged wife, Kate, who left him after Amelia disappeared during one of his ocean voyages. He’d do anything to get his daughter back, he tells Temple, and his determination leads to the biggest surprise of all.

Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.

Pub Date: Sept. 29, 2026

ISBN: 9798217185740

Page Count: 464

Publisher: Dutton

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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