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YOUNG WIDOWS CLUB

Tissues not required.

Tamsen Baird has always lived a different kind of normal.

Raised in bars and surrounded by music, Tam lost her mother when she was 10, fell in love when she was 14, and now, at 17, she is a high school dropout “turned-teen-bride-turned-widow.” One reckless night shortly after Noah’s funeral lands Tam in front of a judge, ordered to graduate from high school and attend weekly meetings of a support group for young widows. Less than thrilled on both counts, Tam nevertheless begins the difficult journey toward healing and reimagining a new life for herself. It’s an interesting premise for a novel, particularly because Tam was not a teen forced into marriage by circumstance. She and Noah were genuinely in love and planning for a future together. Given his sudden death so early in the novel and the choice of title, readers will likely anticipate a story rich with emotion. Unfortunately, this isn’t the case. Tam gives lip service to her grief, but the words never translate into deep and meaningful emotion. Even her sessions with the other young widows, though entertaining, feel hollow. Perhaps that is why it’s easy to believe that she would quickly find herself falling for a new guy. This romance is what will keep readers turning the pages.

Tissues not required. (Fiction. 12-16)

Pub Date: Nov. 10, 2015

ISBN: 978-0-374-30126-2

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 4, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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NYXIA

From the Nyxia Triad series , Vol. 1

Fast-moving and intriguing though inconsistent on multiple fronts.

Kids endure rigorous competition aboard a spaceship.

When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.

Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)

Pub Date: Sept. 12, 2017

ISBN: 978-0-399-55679-1

Page Count: 384

Publisher: Crown

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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