Sure to resonate in today’s volatile climate.
Gotham City was once a progressive, egalitarian metropolis safeguarded by powerful superheroes.
Then came the Silencing, a violent coup targeting any possible resistance. Now, all Gotham cowers beneath the shadow of the autocratic Court of Owls—all except Dinah Lance, whose fury at the oppressive regime is matched only by her desire to sing, although music is forbidden to women. In a narratively predictable but vindictively welcome twist, Dinah, following in the footsteps of her deceased mother (the original Black Canary), discovers that she’s immune to the effects of the Silencing: Her music and voice can become deadly weapons. And to make matters yet more disconcerting, new boy–cum–Court darling Oliver Queen seems just a bit too interested in Dinah—and her burgeoning powers. After a series of increasingly rebellious acts, Dinah quickly becomes Public Enemy No. 1. When her best friend is captured in her stead, Dinah must assume the Canary mantle. The story proceeds at a cinematic clip while still allowing for quieter moments of character development or vivid scenic description. The intermingling of old and new DC heroes is artful; Dinah is a powerful protagonist, vibrating with a youthful rage and energy familiar to readers itching for revolution of any kind. Monir never shies away from her tale’s unfortunately pertinent sociopolitical implications, putting a refreshing spin on the feminist dystopia. Main characters are presumed White; supporting characters are diverse.
Sure to resonate in today’s volatile climate. (Superhero fiction. 12-18)Pub Date: Dec. 29, 2020
ISBN: 978-0-593-17831-7
Page Count: 384
Publisher: Random House
Review Posted Online: Aug. 11, 2020
Kirkus Reviews Issue: Oct. 1, 2020
A fantasy with complex characterization that will build anticipation for the next entry.
Three young people find their places in a world of vengeance and destiny in National Book Award winner Tahir’s duology opener set in the multicultural world of her An Ember in the Ashes series.
Aiz, from the impoverished nation of Kegar, seeks revenge against Tiral bet-Hiwa, an air squadron commander who, as a child, murdered Aiz’s fellow orphans. Guided by a voice claiming to be Mother Div, Kegar’s first queen, Aiz escapes imprisonment after her failed assassination attempt on Tiral and embarks on a journey to free Mother Div’s trapped spirit. In the Martial Empire, Sirsha, a skilled tracker with magical abilities who’s been banished from her homeland, is saved by a stranger who hires her to hunt an unnatural killer. Quil, the crown prince of the Martial Empire, faces an invasion by the Kegari and the lingering threat of a mysterious force responsible for recent murders, including those of two of his loved ones. As the storylines converge, Sirsha and Quil cross paths, leading to revelations about the insidious force. The story explores the blurred line between good and evil and the lengths one will go to for a better life. Tahir’s deep and intricate worldbuilding requires time for readers to fully grasp. Following a slow start, the plot engages as pieces fall into place, leading up to an unexpected ending. The beautiful writing compensates for the romantic relationships, which develop quickly and somewhat inorganically.
A fantasy with complex characterization that will build anticipation for the next entry. (Fantasy. 14-18)Pub Date: Oct. 1, 2024
ISBN: 9780593616949
Page Count: 496
Publisher: Putnam
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
SEEN & HEARD
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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