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THE CROSSROADS

An incredibly heartfelt depiction of immigrants and refugees in a land full of uncertainty.

Picking up a week after the grueling journey chronicled in The Only Road (2016), Diaz’s profound sequel finds 12-year-old Jaime Rivera and his cousin Ángela adjusting to life in El Norte.

Jaime doesn’t know English too well, and his first days at school result in an unfortunate bathroom accident, mocking giggles from his classmates, and snide comments from the class bully, Diego. To Jaime’s horror, Ángela seems to have changed overnight, making new friends with ease, switching to English almost exclusively, and acting aloof about their recent odyssey. Meanwhile, the specter of deportation looms endlessly, and terrible news from Guatemala involving Abuela and the Alphas erases any hope of returning to their village any time soon. Like its predecessor, this timely follow-up addresses the threats that immigrants and refugees face daily in El Norte, where “talk of a massive wall and deporting all of us” continues unabated. Diaz keeps the intimate third-person narration intact as she skillfully explores Jaime’s new life in New Mexico, although the novel’s noble objectives often deny any meaningful character development. Fortunately, well-sketched friends and family offer Jaime support in unexpected ways, including Sean, a deaf, white schoolmate who incites a pleasant subplot, and the gentle Don Vicente, an old Mexican cowboy whose relationship with Jaime forms the heart of the novel.

An incredibly heartfelt depiction of immigrants and refugees in a land full of uncertainty. (author’s note, references, further reading, glossary) (Fiction. 8-12)

Pub Date: Sept. 4, 2018

ISBN: 978-1-5344-1455-6

Page Count: 336

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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HOT MESS

From the Diary of a Wimpy Kid series , Vol. 19

An entertaining take on family values, Wimpy Kid style.

A summer vacation turns out to be anything but relaxing for Greg and a teeming horde of Heffleys.

Gramma declines the offer of a grand birthday celebration, saying that “what would make her REALLY happy is if everyone else went to Ruttyneck Island”—though she prepares individual packs of her legendary meatballs. (“You knew exactly how much Gramma likes you by how many meatballs you got.”) A gaggle of Heffley relatives and a dog stuff themselves into a small beach house, where overcrowding, personality conflicts, and simmering resentments become just some of the ingredients in a rolling boil of sitcom-style catastrophes, not to mention questionable decisions ranging from leaving the kids to make dinner unsupervised to labeling a cooler “HUMAN ORGANS” to keep random passersby from helping themselves. As usual, Greg supplies the setups in poker-faced journal entries interspersed with black-and-white drawings of slouched figures bearing frowny expressions of dismay or annoyance to cue the laffs. Gramma, it eventually turns out, not only (unsurprisingly) has plans of her own, but is also keeping a shocking secret about those meatballs. To go with the knee-slapping set pieces, Kinney slips in a tasty bit of family lore about how Greg’s parents met, plus droll takes on such low-hanging comedy fruit as restaurant manners, viciously competitive board games, and social media influencers (Greg being one, albeit with zero followers, and his Aunt Veronica’s little dog being another, with 3.8 million).

An entertaining take on family values, Wimpy Kid style. (Graphic/fiction hybrid. 8-12)

Pub Date: Oct. 22, 2024

ISBN: 9781419766954

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Oct. 22, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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