A generous, poignant memoir.
A Canadian essayist’s account of how rehabilitating an abandoned garden helped her to better understand her hard-shelled Ukrainian-born parents.
In her first book, Risen chronicles how she and her husband decided to buy the “anonymous hidden house” with the overgrown garden shortly after her always-silent father died. The house was the least of their renovation worries, however; it was the junglelike garden that they knew would make the greatest demands on their time and budget. Yet the author relished the challenge, in part because the one-acre plot—located minutes from downtown Toronto—made her feel closer to the gardener-mother who always seemed to keep her at arm's length. As she began her landscape renovation project, her mother’s health declined rapidly. Risen soon realized that she would never be able to share her garden—with its duck pond, broken-down pagoda, secret paths, and hidden wildlife—with her too-frail, increasingly demented mother. The project also brought up memories of the life she had shared with her parents. The small river that ran through her property recalled the river to which she would escape as a youth, and apple trees she discovered in her garden recalled her mother’s cooking. The more that Risen worked on her garden, the more she realized that her task was not to transform it into a neatly manicured landscape but one that respected the local ecology. Learning to bring sustainable order to her patch of earth as well as uncovering family documents that offered clues to her parents’ difficult early lives helped the author come to terms with her mother and father. She could not change the people who raised her; she could only accept them and know that they “did the best they could.” Interspersed throughout with recipes for forager-style dishes and desserts, Risen’s book is as much a celebration of nature and family as it is feast for the heart and soul.
A generous, poignant memoir.Pub Date: July 5, 2016
ISBN: 978-0-544-63336-0
Page Count: 304
Publisher: Houghton Mifflin Harcourt
Review Posted Online: April 17, 2016
Kirkus Reviews Issue: May 1, 2016
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
BOOK REVIEW
BOOK REVIEW
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