GIRL, INTERRUPTED

When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.

Pub Date: June 1, 1993

ISBN: 0-679-42366-4

Page Count: 176

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1993

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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