An observant and often witty portrait of adulthood in transition.
Three friends tackle issues of grief, work, and romance in Slater’s novel.
Set largely along Boston’s South Shore and Cape Cod, the story follows three longtime friends, Maeve, Lizzie, and Hadley, over the course of a single summer marked by matrimony, professional upheaval, and unresolved romantic histories. Maeve, a widowed publicist still quietly grieving her husband’s death (“Their wedding seems like yesterday, even though he’s been dead for four years”), is the novel’s most grounded presence. Her sense of control begins to unravel when she’s passed over for a long-anticipated promotion in favor of Pope Morris, a charming outsider who eventually proves to be more than just a co-worker to Maeve. Lizzie, recently divorced and fiercely competitive, measures her self-worth through her achievements and desirability, and she wrestles with her on-again, off-again relationship with Wade (a former lover, not her ex-husband) throughout the novel. Hadley appears to have achieved the life she’s always wanted, complete with a lavish wedding and a devoted husband, but even her happiness begins to fray during her honeymoon, revealing anxieties about control, intimacy, and the future. Slater writes in a brisk, conversational style that captures both the humor and quiet ache of her characters’ inner lives. The dialogue is sharp, the social observations are astute, and the coastal setting effectively reinforces the novel’s themes of nostalgia and transition. While the romantic entanglements occasionally veer toward the familiar, the emotional stakes remain grounded, particularly in the depiction of female friendship as a sustaining force. Ultimately, the novel succeeds less as a conventional romance than as a thoughtful exploration of women navigating grief, ambition, and reinvention. The author resists easy resolutions—the future of one of the friends remains unresolved even at the end of the book—allowing her characters to remain flawed, uncertain, and human. The result is an engaging, emotionally intelligent novel well suited for readers drawn to relationship-driven fiction that might mirror their own lives from time to time.
An observant and often witty portrait of adulthood in transition.Pub Date: Nov. 4, 2025
ISBN: 9798999792228
Page Count: 302
Publisher: Self
Review Posted Online: Dec. 31, 2025
Kirkus Reviews Issue: Feb. 15, 2026
Review Program: Kirkus Indie
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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