A worthy end to an inspired, remarkable series.
Chute concludes her fantasy trilogy with a tale of humans and other beings united to save a multitude of worlds.
Archie Wellsley’s attempt to save his teen granddaughter, Ella, ultimately led his family to the parallel world of Jarr and its magical island, Jarr-Wya. Though Ella is still dying from cancer, which also robbed her of speech, she’s befriended nonhumans like the Steffanus, a winged, silver-skinned “she-race.” Unfortunately, the magic in Jarr, called Naiu, is slowly withdrawing, and its absence would mean the end of all worlds. Finnah, a living Star beneath Jarr-Wya, can stop Naiu’s retreat, but she, for whatever reason, wants a key that Ella owns—and she wants Ella to deliver it. While the various races, including rocklike Bangols and fire-inducing Olearons, debate who will journey to Finnah, Ella leaves with her Bangol love, Luggie. Everyone else must battle Senior Karish, who leads the Millia, vicious beings made of crushed seashells, who crave Finnah. As another enemy’s approach only compounds their predicament, Ella telepathically communicates with her mother, Tessa, to find a way to defeat the villains. Chute’s finale is practically overflowing with vibrant characters, and she imbues each of them with distinctive personalities (morally ambiguous Zeno and hard-boiled but compassionate Callisto). The story hums along, but characters’ quieter moments are the standouts. A highlight is tenderness between Ella and Luggie, during which she must remain cautious of his piercing nails and bladelike teeth. While the story notes Ella’s imminent sacrifice, the selflessness of numerous individuals, like those who sadly fight to the death, is impossible to miss. It makes for an uplifting tale, augmented by Chute’s memorable artwork.
A worthy end to an inspired, remarkable series. (maps, glossary, character family tree, acknowledgements, author’s note, author bio)Pub Date: April 21, 2020
ISBN: 978-1-68463-045-5
Page Count: 384
Publisher: SparkPress
Review Posted Online: May 18, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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