by Alia Trabucco Zerán ; translated by Sophie Hughes ‧ RELEASE DATE: April 5, 2022
A formally inventive, lyrical, feminist analysis of Chile’s famous female murderers.
A Chilean author reconstructs the details of four significant 20th-century murders orchestrated by Chilean women.
Trabucco Zerán begins with the case of Corina Rojas, an upper-class housewife who hired a man named Alberto Duarte to kill her husband, David Díaz Muñoz, to escape a “loveless marriage” in which she felt like the “victim of a miserly and unfaithful husband.” The author continues with the case of news vendor Rosa Faúndez Cavieres, who murdered her husband, Efraín Santander, and then carved his corpse into multiple pieces in a futile attempt to hide the body. Next is María Carolina Geel, who shot her lover in broad daylight at the Hotel Crillón. Trabucco Zerán ends with María Teresa Alfaro, a live-in nanny who murdered her employer’s children and mother. The cases occurred in 1916, 1923, 1955, and 1963, respectively, spanning the 20th century. Rather than further sensationalizing these crimes, the author uses these women’s action—and, perhaps more importantly, the public reaction to their stories—to reflect on society’s shifting attitudes about gender, anger, violence, and the law. “Their crimes, while disturbing, are a privileged window from which to observe how the very meaning of womanhood has changed over time,” she writes. “Their contradictions and failures act as a mirror, reflecting back typically ‘un-feminine’ emotions.” Interspersed with cogent feminist analyses of the crimes and the public and media reactions of the time, Trabucco Zerán includes diary entries describing her personal experience with the research, infusing the book with a fascinating memoirlike quality and rendering the narrative voice both personal and relatable: “I had to doubt the word of lawyers and doctors, question the sensationalism of reporters, take novel plots with a pinch of salt, and slowly learn that a question is often a veiled accusation.” Throughout, the language is both precise and evocative, and the author’s evaluation of the various circumstances is readable, trenchant, and intersectional.
A formally inventive, lyrical, feminist analysis of Chile’s famous female murderers.Pub Date: April 5, 2022
ISBN: 978-1-56689-633-7
Page Count: 240
Publisher: Coffee House
Review Posted Online: Jan. 17, 2022
Kirkus Reviews Issue: Feb. 15, 2022
Share your opinion of this book
More by Alia Trabucco Zerán
BOOK REVIEW
by Alia Trabucco Zerán ; translated by Sophie Hughes
BOOK REVIEW
by Alia Trabucco Zerán ; translated by Sophie Hughes
More About This Book
PERSPECTIVES
PERSPECTIVES
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Awards & Accolades
Likes
748
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2017
New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Share your opinion of this book
More by David Grann
BOOK REVIEW
by David Grann
BOOK REVIEW
by David Grann
BOOK REVIEW
by David Grann
More About This Book
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
Awards & Accolades
Likes
107
Our Verdict
GET IT
Google Rating
Kirkus Reviews'
Best Books Of 2016
New York Times Bestseller
Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Share your opinion of this book
More About This Book
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.