Emotionally rewarding reading that builds to a poignant and thoroughly satisfying climax.

THE NIGHT COUNTER

Yunis’ book club–ready debut uses The Arabian Nights as a departure point for an immigrant-assimilation story.

The central character, around whom a cast of dozens revolves like a time piece, is Fatima Abdullah: purple-haired mother, grandmother and Lebanese migrant who settled in Detroit in the 1930s. The book opens, however, with an older Fatima in contemporary West Hollywood; the conservative but flexible matron moved there 992 nights ago to live with her gay grandson Amir. On that first night, she had a visit from none other than Scheherazade herself. The Arab beauty with 1,001 tales demanded stories from Fatima’s past, and when asked “What if I don’t tell you a story?” she replied, “When our tales are over, so are our lives.” Now Fatima is counting down to night No. 1,001, believing it will bring her death at the age of 85. Yunis’ gifted handling of character and environment forestalls the question of whether Fatima is insane or gifted with magical thinking as she debates and ruminates with Scheherazade about life, family and America. The only relative willing to tolerate her unintentionally hilarious outbursts is Amir, an aspiring actor struggling against typecasting as a terrorist (his dream role is the lead in an Omar Sharif biopic). He’s bitter over his breakup with a sexy soap-opera star—whose driveway, we learn, has been conscripted for spying purposes by the FBI, which has mistaken the Abdullahs’ family dramas for national-security concerns. Yunis cleverly weaves a vast social web containing Fatima’s ten offspring, beginning each vignette with the matriarch’s musings about her kids, which lead Scheherazade to fly around America eavesdropping on the wildly diverse clan. Readers may occasionally get lost in the rain of names and details, but the characters’ grounded humanity and emotional clarity always provide orientation.

Emotionally rewarding reading that builds to a poignant and thoroughly satisfying climax.

Pub Date: Aug. 1, 2009

ISBN: 978-0-307-45362-4

Page Count: 384

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2009

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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