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A STORY FOR SMALL BEAR

Hibernation has rarely felt so well earned and enchanting.

Preparing for winter hibernation instills a big lesson for Small Bear in this bedtime story.

When a late-fall wind chills the child after an afternoon nap, Mama says, “I smell frost in the air.…Tonight we’ll start our winter slumber.” But the day is packed; they must find sprigs of spruce to make a warm nest. There are juicy acorns to gather. And Small Bear needs to take a bath before their long sleep. Small Bear wants nothing more than to have enough time for a story before sleep, but Mama warns her: “If you help—no dilly, no dally—then we’ll have time for stories,” she says. Small Bear works hard to avoid temptations: snuggling in a cozy hole in a spruce tree, playing longer in the stream, and climbing higher in the tree. But Mama’s instruction helps Small Bear to stay on track and remember “to save time for stories.” Of course, Small Bear’s resistance to the kind of procrastination that would sink many others is rewarded with Mama’s best story, and sleep comes quickly. McGinty’s rhythmic prose and absolute mastery of pace elevate a simple story to something poetically potent. Jones’ deeply textured illustrations make every spruce sprig and, especially, the bears’ fur stand out beautifully. A standout spread rotates the book 90 degrees for a tall tree climb; it’s a delight, just like everything else in this expertly executed picture book. (This book was reviewed digitally with 10.5-by-21-inch double-page spreads viewed at actual size.)

Hibernation has rarely felt so well earned and enchanting. (Picture book. 3-7)

Pub Date: Oct. 13, 2020

ISBN: 978-1-9848-5227-4

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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