“[W]e have only one mother,” the author concludes (true in most cases, at least). “The moon is the very least that we can...



A lad bent on giving his mother the Moon discovers that it’s hard—but not impossible—to reach.

Briére-Haquet begins by noting with unassailable logic that “[b]ecause he is small, [Peter] is not very tall.” She stands him atop a rising pyramid of his father, his friends, helpful local people and more—to all of whom he promises a piece of the moon once he reaches it. Eventually, frustrated and thinking that the widespread distribution wouldn’t leave much to give his mother anyway, he stalks around the world to cool off and then decides to give it one more try. Success! And the Moon turns out to be much bigger than he had supposed. The narrative is written in free verse laced with internal and partial rhymes. It floats over rolling, canted crowd scenes of stylized babushkas and others in baggy, patterned clothing, who lean into one another and reach upward to help Peter on his way. If the print is a bit hard to make out on darker spreads and Chauffrey’s Moon resembles a roast wrapped in brown paper and string netting, still the painted art’s visual rhythms match the text for quirky energy. Mutual adoration between mother and child shines out in a final cozy cuddle.

“[W]e have only one mother,” the author concludes (true in most cases, at least). “The moon is the very least that we can offer her!” (Picture book. 5-8) 

Pub Date: March 1, 2012

ISBN: 978-2-7338-1940-1

Page Count: 40

Publisher: Auzou Publishing

Review Posted Online: Feb. 2, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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Fun but earnest, this rhyming romp reminds readers that one young person can make a difference.


From the Questioneers series

Sofia Valdez proves that community organizers of any age can have a positive impact.

After a trash-heap eyesore causes an injury to her beloved abuelo, Sofia springs into action to bring big change to her neighborhood. The simple rhymes of the text follow Sofia on her journey from problem through ideas to action as she garners community support for an idyllic new park to replace the dangerous junk pile. When bureaucracy threatens to quash Sofia’s nascent plan, she digs deep and reflects that “being brave means doing the thing you must do, / though your heart cracks with fear. / Though you’re just in Grade Two.” Sofia’s courage yields big results and inspires those around her to lend a hand. Implied Latinx, Sofia and her abuelo have medium brown skin, and Sofia has straight brown hair (Abuelo is bald). Readers will recognize Iggy Peck, Rosie Revere, and Ada Twist from Beaty’s previous installments in the Questioneers series making cameo appearances in several scenes. While the story connects back to the title and her aptitude for the presidency in only the second-to-last sentence of the book, Sofia’s leadership and grit are themes throughout. Roberts’ signature illustration style lends a sense of whimsy; detailed drawings will have readers scouring each page for interesting minutiae.

Fun but earnest, this rhyming romp reminds readers that one young person can make a difference. (Picture book. 5-8)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3704-6

Page Count: 40

Publisher: Abrams

Review Posted Online: Nov. 24, 2019

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Patchy work, both visually and teleologically.


The sultana of high-fructose sentimentality reminds readers that they really are all that.

Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.

Patchy work, both visually and teleologically. (Picture book. 6-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-250-05626-9

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: June 23, 2015

Kirkus Reviews Issue: July 15, 2015

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