Emotionally satisfying and extremely well-crafted short fiction.
Cornell instructor and poet Fulton offers a debut collection of linked stories of distinctive, resilient women.
In 1908, Mamie Flynn Garrahan is facing a difficult birth with nothing but an arsenic-eating sister-in-law, a charm from her mother and doctor-prescribed heroin to help her through it. Just when she’s about to give up and die, she pulls herself together and pushes out a baby girl. A farmwife, Mamie doesn’t take any nonsense, and her stolidly candid, perspicacious-yet-nonjudgmental voice is one of the great pleasures of this pleasing collection. Fulton offers a complete group portrait of the Garrahan women. As she follows this family through the 20th century, the author changes her tone and her narrative tactics to allow each character to emerge as her own fully realized self. “Queen Wintergreen” is the story of Mamie’s mother, contemplating widowhood, her place in her son’s crowded household and an unexpected marriage proposal. By telling Peg Flynn’s tale in the third person, Fulton is able to offer external observations, but she also allows Peg to retain some mystery. Other stories call for other accents. In “Dorothy Loves Maleman,” Fulton demonstrates that she is just as convincing giving voice to a schizophrenic as she is at creating prodigiously sane characters like Mamie. Different perspectives emerge as characters move through each others’ stories, and, while each entry works on its own, the readers’ experience of these women is enriched by viewing their lives together. Fulton has a poet’s economy of language and an ability to choose discerning details.
Emotionally satisfying and extremely well-crafted short fiction.Pub Date: July 1, 2008
ISBN: 978-0-393-04887-2
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2008
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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