In Hoffman’s adult work, the intersection of fantasy and realism is sustained and the suspension of disbelief can be close to absolute (The River King, p. 585, etc.). However, her American-brand magical realism seems forced and close to ludicrous within the very real conventions of a picture book. Set at Cloud Ranch in an undisclosed Western state, a fearful girl lives with her wise grandfather. Jewel is afraid of horses (rather inconvenient on a ranch), but this changes when her grandfather gives her an abandoned undersized foal. She names him Bug, and he is dog-like in his devotion. Jewel had asserted that she would never ride a horse, but soon she begins to ride Bug with ease and enjoyment. One day she discovers that Bug is a special horse in another way—he can fly! A mean circus owner sees them fly and covets Bug for his menagerie. He and evil cohorts steal Bug; Jewel sets about to get him back. In a daring Big Top rescue, Jewel arrives on the scene (in circus costume), runs into the center ring, and jumps onto Bug’s back. It’s Happy Trails meets Happily Ever After when, at her word, he “unfurled his wings” and they dive bomb his kidnappers before they make their escape (with the other circus hoses following behind). The real high-flyers here are the well-modeled and skillful oil-painting illustrations. Johnson and Fancher (Cat, You’d Better Come Home, 1995, etc.) are marvelously adept at rendering figures in both shadowy dark interiors and dazzlingly lit fields under cloud-dappled skies. Avid riders or readers of equine fact and fiction will note that Hoffman blurs the pony/horse distinction here but if one already accepts that Bug can fly, well, can’t a pony be a baby horse? (Picture book. 5-9)
Pub Date: Aug. 1, 2000
ISBN: 0-7868-0367-3
Page Count: 48
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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